.

Can't argue with that.

Suck ****. The only particularly good album he's done since Relapse. Pre-Slim Shady LP Bad Meets Evil was awesome too.





You's bitch made. Eminem's flow is like crack. His rhythms and punchlines are pretty much second to none. And I don't even like punchline rappers.

That says it all tbh

Sigh. ****ing boring Canadians. Listening to Earl Sweatshirt and MF Doom and ****.

It's okay that you can't handle proper hip-hop, we'll always share our love for trashy pop music and raw ass metalcore.

Proper hip hop my ass, you listen to the musical equivalent of Ambien.

Phil Roebuck - “Under the matchlight”, “Out of nowhere” and “We got time” (Norfolk, Virginia, 2000).

Digital Impulse - Psy Trance :hphones:

Was meh on Esham for a while, but still kinda liked him. Last night it clicked and I've upgraded to thinking he's pretty sweet. He tries too hard to sound evil, but seeing as he was one of the very first to do horrorcore he doesn't come across as just another ******* copying... well, Esham, so he doesn't embarass himself so much as he just sounds charmingly silly. Although I don't think that's intentional.

He does evoke as creepy and sick a vibe as horrorcore ever does though, and his early **** has a very youthful energy that's pretty infectious. KKKill the Fetus is probably his most horrorcore album, but his next one, Closed Casket, bumps and bounces like a mother****er. This **** right here is sick nasty and fun.

What she don't know won't hurt
so put your lips under my skirt
just wash your mouth with Listerene
and she won't know a thing

Tim Clément - La danse du serpent blanc, Music for the meridian figure and Mawhje's Outlook (Toronto, Canada, 1990).

Tight bro`s from way back then - Strut (Olympia, Washington, 1999):

Joy of Cooking - "Don't look the moon fat and lonesome", "Humpty Dumpty" and "Three-day loser" (Berkeley, California, 1971-1972)

Alva Noto & Ryuichi Sakamoto - Vrioon (2002)

Such an indispensable classic of ambient modern classical microsound music. For its release year, this is*on par with Underworld's A Hundred Days Off, DJ Shadow's Endtroducing, Lemon Jelly's blissful Lost Horizons, and Low's Trust.

Starting my early Sunday morning with this

**** you for mentioning Underworld and DJ Shadow. Now I'm curious about all that ****.

You're ****ing welcome.

I just noticed your sig, which now has two people referring to you as "sir".

just for Batty

Had to cut out about halfway through to stay awake.

i'm so ****ing glad my ears work

Too bad they're on mute.

what?

Flip the switch, man. You'll see what I mean.

what?

This is what happens when you listen to boring rap.

Huh?

múm - Yesterday Was Dramatic - Today Is OK

http://i.imgur.com/VWnVAIGl.jpg

Pauline Oliveros - I of IV

Mesmerizing.

Biosphere & Deathprod - Nordheim Transformed (1998)
Exquisite arctic ambient.

Nothing like a heavy dose of some of the most chaotic, loud, and brutal jazzcore around to rip your brain apart. Good for fans of Painkiller, if you ever listened to Painkiller and thought "wow these guys are pussies"



I love the percussionless little sludge noise jazz part

They should've called it Zu+. Ku Klux Klowns is better than a little less than half of Zu's discography.