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earl is what people hail kendrick to be still waiting on one more project to really cement that though, but everything he’s done from Sly Tendancies forward has been elite. |
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On a side note, Farrah Abrahams broke new ground in pop music. Is she The Stooges of pop? And yeah, Brotzmann is better. |
I might be wrong about this one.
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Wrong about what, their cred or their music? Did you finally start to get into it a bit? |
Wellllllll.... I was actually really enthusiastic about MF Doom & Grimm very early in their careers then my interest tapered off and I ACTUALLY only followed them peripherally but sort of felt like since I was on to it early on I needn’t pay too close attention. So even though this is a pretty old release by the time it came out I kind of figured I already know what it was all about but trying to defend an ambivalent position about this record has kind of painted me into a corner. I could keep pretending I know everything about it or admit that while I have listened to it I really haven’t listened to it closely enough to justify my strong opinions.
I think I better learn up on this one and get back to you kind folks with my typical arrogance after some re-examinations. Don’t tell anyone. |
It's been several years since I've sat down and listened to this album, but it's one I absolutely love. To me, there's always been something about it that sounds like a rainy weekend when you're a kid. It makes me think of drinking hot chocolate and eating cookies and watching the waterlogged world go by outside the window. It was also my introduction to DOOM (I was already a fan of Madlib) so it was just great thing all around. 10/10
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Can I please get a mulligan?
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^Sure why not
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I'd give this an 11 if I could - one of the most perfect hip-hop albums ever made, and while both artists have put out some pretty epic releases elsewhere, this is both Madlib and MF DOOM's defining achievement.
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I believe this may have been the first non 'mainstream' rap album I ever heard, or at least the first that I could really get into, and it definitely opened my eyes to how much different rap could sound than what's played on the radio. Today it remains my 2nd favorite hip-hop record and is undeniably influential on the underground scene of the 00s and even to the present. I think DOOM knew they were making something special here and truly believe he went harder from start to finish than on any of his solo records.
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I’m recovering from the Dunning–Kruger effect on hip hop.
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having a munch as he plays Lydia Lunch. |
(I can understand from a technical standpoint why this is so loved, but it has never resonated with me as much as it seems to with almost everyone else here)
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Listening to this again, I'm enjoying it more than the first time I listened to it but I still just don't feel the music. 5
Average score: 9.23 Votes: 13 |
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