Loser's Screamo/Emo/Hardcore/Post Hardcore/Emocore Thread (jazz, metal)

The Dave · 02-22-2007, 07:41 AM

What was the point of this thread?

Loser · 02-22-2007, 07:45 AM

The point is to talk about good bands.....Well here is another great band

A Static Lullaby

A Static Lullaby is a hardcore, rock, and emo band formed in Chino Hills, California in 2001. Their sound consists of intense distorted or screaming vocals countered with melodic singing. They are known for their heavy guitar lines and fast drums.

A Static Lullaby signed a contract with Ferret Records in 2002, and went on to create their first album called, "...And Don't Forget To Breathe." Their music style is often very similar to bands like From Autumn To Ashes and Underoath. They are well known for their explosive on-stage antics. Their latest album, "Faso Latido" denotes a change in sound for the band, yet still in keeping with their much harsher sounding roots.

A Static Lullaby recently lost three of their original five band mates. Joe and Dan are the only remaining two, and are deciding to continue the band. So far they added Johnny Death on guitar, Dane Poppin on bass and are now looking for a drummer. Joe and Dan are currently writing for the next ASL album even though Faso Latido was just a year ago.

The new demos have alot of fans buzzing, they are featured on their Myspace page. The two new demos are currently titled "Untitled New Song" and "The Art of Sharing..."

One night last summer, A Static Lullaby frontman Joe Brown was trying to kick back at home and watch a music awards show on television, but with every trophy that was presented, his mood got worse and worse. The pop and R&B honored were innocuous, unchallenging and they lacked any sort of emotional resonance. In other words, they were the exact antithesis of what A Static Lullaby hold sacred.

"The way pop music is now makes me sick to my stomach," Brown grumbles. "There's no substance and it's not heartfelt at all. Why subject a million people to something that says nothing?"

For A Static Lullaby, making music isn't an avenue to success or a path to riches, it's a means of survival, a way to confront chaos and hypocrisy without having a mental breakdown. The impassioned songs on their second album, Faso Latido, reflect the band's sincerity. "We really want to show people that music can be real and it can make you think and even change your life," Brown says. "The more people that get that message from us, the better."

The group's commitment to their art shines through in an array of songs that transcend simple classification. Faso Latido is a striking blend of energy, volume, rage and blissful melody that exposes the band members' diverse tastes and reveals how much they're developed as musicians since their 2003 debut, And Don't Forget to Breathe.

"Being in this band for three years and being on the road so long has caused us all to grow immensely," Brown says. "After we got off tour last year, every dude in the band went off and tried to find what makes him click with music, and how we want our music to work out, and it all came together with this record. I haven't heard anything else that sounds quite like it."

Anyone who values emotionally turbulent music will surely bond with Faso Latido, which draws from pop, punk, metal and rock without attaching itself strictly to any one form. And, instead of adhering to conventional verse/chorus song constructs, A Static Lullaby dives into more uncharted waters. "Calmer Than You Are" starts with an enticing hook that juts through a scratchy guitar volley, and builds with urgent, near-tribal beats. "Faso Latido" overlaps melodic howls with feral screams and features a spoken-word mid-section over a rhythms that rips, tumbles and flutters. And "Godbless You (God Damnit)" is largely atmospheric, driven by a mid-paced beat and tuneful vocals gliding over vaporous guitars and a bobbing bass line.

"When we did And Don't Forget to Breathe, we were just a bunch of anxious, pissed off teenagers, and I guess we wrote a pissed off album," explains Brown. "We're not always so angry now, and we just want to explore all these different possibilities for this kind of music."

Musically that meant experimenting with vocal harmonies, piano embellishments and point/counterpoint dynamics, but it also meant writing about something more immediate and original than destructive relationships. So, Brown recalled ruminated over the past two years, put pen to paper and captured the dizzying environment of being a band on the road. "Faso Latido" is about the attraction of urban squalor and how ugly the world looks during the day and "Cash Cowbell" addresses exploitation in the music industry. "Sometimes over the past couple years we've just felt raped and dirty and gross," Brown says. "I wish I didn't have to see that side life because it makes me lose a lot of respect for people, and it makes me numb, but that kind of thing is on a few different parts of the record."

Brown formed A Static Lullaby three years ago with guitarists Dan Arnold and Nate Lindeman, bassist Phil Pirrone and drummer Brett Dinovo, who all went to high school in Chino Hills, California. At first, the musicians were in different bands, but when Brown was a senior, they decided to get together and jam. "The first practice we had was awesome," gushes Brown. "We were so stoked. The songs were coming fast and we were really excited about the music we were making. We all thought it was the best s*** ever, so we quit everything else we were doing and just went with this band."

Just two weeks after its inception, A Static Lullaby amassed enough material to play their first gig. Soon after, their unique blend of hardcore, emo, ska, metal, and epic rock made them one of the hottest unsigned bands on the Orange County circuit. The group recorded and self-released the Withered EP, then in the summer of 2002 A Static Lullaby were signed, and entered the studio with producer Steve Evetts (Sepultura, Hatebreed). In a few weeks, they recorded their debut And Don't Forget To Breathe, an album that showcased the band's creativity and set the groundwork for Faso Latido.

A Static Lullaby spent 18 long months on the road supporting the album, and shared stages with such acts as AFI, My Chemical Romance and Brand New. At first, the excitement of being on tour kept them pumped, but after a while, the guys started getting stir crazy and their relationship became strained. Following one skirmish too many, Dinovo decided to quit the band and go back to school. "It was crazy because he was my best friend," Brown says. "He was a major part of writing. It was like we lost an arm or a leg and had to rebuild."

The first two weeks spent writing new material without Dinovo was pretty awkward, but then A Static Lullaby hit a groove. Before long, they had more songs than they could fit on an album. Then, it was time to find a drummer. Instead of holding auditions, they decided to work with someone they knew, so they hired session drummer Sammy Siegler, a friend who played in seminal hardcore bands Youth of Today and Gorilla Biscuits. A Static Lullaby entered Indigo Ranch studios in Malibu, California last year with Siegler and producer Lou Giordano (Hüsker Dü, Sunny Day Real Estate, Taking Back Sunday). At first, they weren't sure how they'd vibe with the veteran producer and family man, but their reservations were soon forgotten.

"We totally loved working with him," Brown says. "Lou was a laid back guy, but he was real supportive and had great ideas. It was good to know there was someone who had our back and wasn't ready to pounce on us."

After recording Faso Latido, Brown and his bandmates were just starting to consider what to do about finding a new drummer, when Dinovo approached Brown at a show and said he wanted to come back. "He said, 'You know, we started this thing together,'" recalls Brown. "And I could just tell that he wanted to play drums again. He said, 'I'm ready whenever you are,' and that's all it took."

With their original lineup back in place, their second album on the shelf and a slot on the Taste of Chaos tour--which also features The Used, Killswitch Engage and Senses Fail-- A Static Lullaby are ready once again to throw up a middle finger to complacency and convert the masses to their form of sonic revolution.

"We're gonna stay on the road a long time and play for as many people as we can," Brown says. "We'll play any tour we can get because it's really important for us to share what we're doing with other people who love music as much as we do."

(Source: wikipedia, www.wikipedia.com)

acratertocoffin · 02-22-2007, 08:34 AM

I just realized I'm the ow, in now... and if you tell anyone...!

A_Perfect_Sonnet · 02-22-2007, 08:41 AM

I'm the fist in "first" without the "r". FLOOR PUNCH!

acratertocoffin · 02-22-2007, 08:44 AM

i'm cut with the e

acratertocoffin · 02-22-2007, 08:50 AM

You know, it's funny, when I search for A Static Lullaby on wikipedia, I get "A Static Lullaby is a post-hardcore band formed in Chino Hills, California in 2001. Their sound consists of intense distorted or screaming vocals countered with melodic singing"

Is there any emo, screamo there? No? Everything Loser says is pure bullshit? Okay, if you say so.

A_Perfect_Sonnet · 02-22-2007, 08:55 AM

Lawl I can edit Wikipedia articles to make myself an olympian from Mercersburg Academy:

Quote:

Originally Posted by Mercersburg Academy Wikipedia

Notable alumni

In 112 years, Mercersburg has produced many outstanding individuals, including 48 Olympians (and nine gold medalists), seven Rhodes Scholars, three Fulbright Scholars, a Nobel Prize winner, two Academy Award winners, two Emmy Award winners, and a Golden Globe winner.

Medal of Honor recipients
Joel T. Boone '09
Eugene B. Fluckey '30
Ralph Talbot '16
Wilbert W. White Jr. '07
Nobel Prize recipient
Burton Richter '48 (for physics, 1976)

Olympic gold medalists
Robert Leavitt '03
Ted Meredith '12
Allen Woodring '18
Harry Glancy '24
Bill Carr '29
Ben Stivers '00
Charles Moore Jr. '47
Richard Saeger '82
Betsy Mitchell '83
Melvin Stewart '88

Academy Award winners
James Stewart '28
Benicio Del Toro '85

Rhodes Scholars
Robert N. Cunningham Jr. '21
Edward F. D'Arms '21
Laurence A.L. Scott '24
Dudley L. Harley '27
James M. Tunnell '28
Robert H. Michelet '30
Cresson H. Kearney '33

Six months on their and nobody has noticed.

The Dave · 02-22-2007, 09:01 AM

Quote:

Originally Posted by A_Perfect_Sonnet

Lawl I can edit Wikipedia articles to make myself an olympian from Mercersburg Academy:

Six months on their and nobody has noticed.

Woot, I know someone famous.

A_Perfect_Sonnet · 02-22-2007, 09:04 AM

Not as famous as you, sweetie.

The Dave · 02-22-2007, 09:05 AM

Quote:

Originally Posted by A_Perfect_Sonnet

Not as famous as you, sweetie.

Hey now, this is not the place... i'll be on msn later

02-22-2007, 07:41 AM	#31 (permalink)
The Dave Me and The Major Join Date: Jun 2006 Location: Kentucky Posts: 1,830	What was the point of this thread?

02-22-2007, 07:45 AM	#32 (permalink)
Loser The Professor Join Date: Jan 2007 Location: New York City Posts: 1,113	The point is to talk about good bands.....Well here is another great band A Static Lullaby A Static Lullaby is a hardcore, rock, and emo band formed in Chino Hills, California in 2001. Their sound consists of intense distorted or screaming vocals countered with melodic singing. They are known for their heavy guitar lines and fast drums. A Static Lullaby signed a contract with Ferret Records in 2002, and went on to create their first album called, "...And Don't Forget To Breathe." Their music style is often very similar to bands like From Autumn To Ashes and Underoath. They are well known for their explosive on-stage antics. Their latest album, "Faso Latido" denotes a change in sound for the band, yet still in keeping with their much harsher sounding roots. A Static Lullaby recently lost three of their original five band mates. Joe and Dan are the only remaining two, and are deciding to continue the band. So far they added Johnny Death on guitar, Dane Poppin on bass and are now looking for a drummer. Joe and Dan are currently writing for the next ASL album even though Faso Latido was just a year ago. The new demos have alot of fans buzzing, they are featured on their Myspace page. The two new demos are currently titled "Untitled New Song" and "The Art of Sharing..." One night last summer, A Static Lullaby frontman Joe Brown was trying to kick back at home and watch a music awards show on television, but with every trophy that was presented, his mood got worse and worse. The pop and R&B honored were innocuous, unchallenging and they lacked any sort of emotional resonance. In other words, they were the exact antithesis of what A Static Lullaby hold sacred. "The way pop music is now makes me sick to my stomach," Brown grumbles. "There's no substance and it's not heartfelt at all. Why subject a million people to something that says nothing?" For A Static Lullaby, making music isn't an avenue to success or a path to riches, it's a means of survival, a way to confront chaos and hypocrisy without having a mental breakdown. The impassioned songs on their second album, Faso Latido, reflect the band's sincerity. "We really want to show people that music can be real and it can make you think and even change your life," Brown says. "The more people that get that message from us, the better." The group's commitment to their art shines through in an array of songs that transcend simple classification. Faso Latido is a striking blend of energy, volume, rage and blissful melody that exposes the band members' diverse tastes and reveals how much they're developed as musicians since their 2003 debut, And Don't Forget to Breathe. "Being in this band for three years and being on the road so long has caused us all to grow immensely," Brown says. "After we got off tour last year, every dude in the band went off and tried to find what makes him click with music, and how we want our music to work out, and it all came together with this record. I haven't heard anything else that sounds quite like it." Anyone who values emotionally turbulent music will surely bond with Faso Latido, which draws from pop, punk, metal and rock without attaching itself strictly to any one form. And, instead of adhering to conventional verse/chorus song constructs, A Static Lullaby dives into more uncharted waters. "Calmer Than You Are" starts with an enticing hook that juts through a scratchy guitar volley, and builds with urgent, near-tribal beats. "Faso Latido" overlaps melodic howls with feral screams and features a spoken-word mid-section over a rhythms that rips, tumbles and flutters. And "Godbless You (God Damnit)" is largely atmospheric, driven by a mid-paced beat and tuneful vocals gliding over vaporous guitars and a bobbing bass line. "When we did And Don't Forget to Breathe, we were just a bunch of anxious, pissed off teenagers, and I guess we wrote a pissed off album," explains Brown. "We're not always so angry now, and we just want to explore all these different possibilities for this kind of music." Musically that meant experimenting with vocal harmonies, piano embellishments and point/counterpoint dynamics, but it also meant writing about something more immediate and original than destructive relationships. So, Brown recalled ruminated over the past two years, put pen to paper and captured the dizzying environment of being a band on the road. "Faso Latido" is about the attraction of urban squalor and how ugly the world looks during the day and "Cash Cowbell" addresses exploitation in the music industry. "Sometimes over the past couple years we've just felt raped and dirty and gross," Brown says. "I wish I didn't have to see that side life because it makes me lose a lot of respect for people, and it makes me numb, but that kind of thing is on a few different parts of the record." Brown formed A Static Lullaby three years ago with guitarists Dan Arnold and Nate Lindeman, bassist Phil Pirrone and drummer Brett Dinovo, who all went to high school in Chino Hills, California. At first, the musicians were in different bands, but when Brown was a senior, they decided to get together and jam. "The first practice we had was awesome," gushes Brown. "We were so stoked. The songs were coming fast and we were really excited about the music we were making. We all thought it was the best s*** ever, so we quit everything else we were doing and just went with this band." Just two weeks after its inception, A Static Lullaby amassed enough material to play their first gig. Soon after, their unique blend of hardcore, emo, ska, metal, and epic rock made them one of the hottest unsigned bands on the Orange County circuit. The group recorded and self-released the Withered EP, then in the summer of 2002 A Static Lullaby were signed, and entered the studio with producer Steve Evetts (Sepultura, Hatebreed). In a few weeks, they recorded their debut And Don't Forget To Breathe, an album that showcased the band's creativity and set the groundwork for Faso Latido. A Static Lullaby spent 18 long months on the road supporting the album, and shared stages with such acts as AFI, My Chemical Romance and Brand New. At first, the excitement of being on tour kept them pumped, but after a while, the guys started getting stir crazy and their relationship became strained. Following one skirmish too many, Dinovo decided to quit the band and go back to school. "It was crazy because he was my best friend," Brown says. "He was a major part of writing. It was like we lost an arm or a leg and had to rebuild." The first two weeks spent writing new material without Dinovo was pretty awkward, but then A Static Lullaby hit a groove. Before long, they had more songs than they could fit on an album. Then, it was time to find a drummer. Instead of holding auditions, they decided to work with someone they knew, so they hired session drummer Sammy Siegler, a friend who played in seminal hardcore bands Youth of Today and Gorilla Biscuits. A Static Lullaby entered Indigo Ranch studios in Malibu, California last year with Siegler and producer Lou Giordano (Hüsker Dü, Sunny Day Real Estate, Taking Back Sunday). At first, they weren't sure how they'd vibe with the veteran producer and family man, but their reservations were soon forgotten. "We totally loved working with him," Brown says. "Lou was a laid back guy, but he was real supportive and had great ideas. It was good to know there was someone who had our back and wasn't ready to pounce on us." After recording Faso Latido, Brown and his bandmates were just starting to consider what to do about finding a new drummer, when Dinovo approached Brown at a show and said he wanted to come back. "He said, 'You know, we started this thing together,'" recalls Brown. "And I could just tell that he wanted to play drums again. He said, 'I'm ready whenever you are,' and that's all it took." With their original lineup back in place, their second album on the shelf and a slot on the Taste of Chaos tour--which also features The Used, Killswitch Engage and Senses Fail-- A Static Lullaby are ready once again to throw up a middle finger to complacency and convert the masses to their form of sonic revolution. "We're gonna stay on the road a long time and play for as many people as we can," Brown says. "We'll play any tour we can get because it's really important for us to share what we're doing with other people who love music as much as we do." (Source: wikipedia, www.wikipedia.com)

02-22-2007, 08:41 AM	#34 (permalink)
A_Perfect_Sonnet Dinosaurus Rex!!! Join Date: Nov 2005 Location: Winchester, VA Posts: 896	I'm the fist in "first" without the "r". FLOOR PUNCH!

02-22-2007, 09:04 AM	#39 (permalink)
A_Perfect_Sonnet Dinosaurus Rex!!! Join Date: Nov 2005 Location: Winchester, VA Posts: 896	Not as famous as you, sweetie.