from freak fighter to lamp lighter

OccultHawk · 02-21-2019, 07:39 PM

Quote:

Originally Posted by Blarobbarg

Man, I'm genuinely worried about you. I know this is kinda "your thing" but you've been posting **** that wilder than normal lately and seeming really morose and depressed. I'm just checking in.

I’ve been out of my depression for months. What are you talking about in particular?

The Batlord · 02-21-2019, 07:50 PM

This really isn't out of character for OH. He's like the Tasmanian Devil from Loony Tunes.

Blarobbarg · 02-21-2019, 07:52 PM

Eh, I could be making mountains out of molehills. Or projecting. If you're good, you're good, and that's good enough for me.

OccultHawk · 02-21-2019, 08:05 PM

Quote:

Originally Posted by Dharma & Greg

This really isn't out of character for OH. He's like the Tasmanian Devil from Loony Tunes.

The world is a complete cluster**** of evil in my defense

OccultHawk · 02-24-2019, 05:54 PM

Over the past couple weeks I’ve listened to the complete discography of Public Enemy. I’ve been a big fan of them since damn near the get-go and was very fortunate to get to see them early in the career. Crazy experience actually. Very front general admission. Only white guy. Punched in the back the head. Hat stolen. Met Terminator X.

In a nutshell, PE is one of those bands (like AC/DC) that sticks with a winning formula. The first two records lay the groundwork for their entire sound. Fear of a Black Planet runs the same formula with a glossier production. After that they basically keep reworking the style, laying out similar hard hitting beats and frequently sampling and quoting themselves. Their beats, djing, and production are consistently fantastic throughout their discography. I recommend everything by Public Enemy but Bum Rush and Nations are the band’s DNA.

OccultHawk · 02-24-2019, 07:46 PM

Quote:

Originally Posted by Frownland

It was me.

Evident mod bias!

I’d like permission to post the names and pictures and addresses of CEO’s (and their family members) of certain corporations. If piece of **** politicians are fair game the capitalist ****s who fund them and exploit others should be too.

Zhanteimi · 02-24-2019, 10:17 PM

Quote:

Originally Posted by OccultHawk

I’d like permission to post the names and pictures and addresses of CEOs.

smh

drfunker · 02-26-2019, 10:30 AM

Quote:

Originally Posted by OccultHawk

lamp lighter’s black history month top ten

10) Living for the City - Stevie Wonder (1973)

9) Evil N igger - Julius Eastman (1979)

8) Black Steel in the Hour of Chaos - Public Enemy (1988)

7) Chain Gang Quantum Blues - Moor Mother (2016)

6) Every N igger Is a Star - Boris Gardiner (1974)

5) Triptych: Prayer/Protest/Peace - Max Roach (1960)

4) Ol’ Man River - Paul Robeson (1927)

3) Strange Fruit - Nina Simone (1965)

2) Song of the Underground Railroad - John Coltrane (1961)

1) Alabama - John Coltrane (1963)

Great list.

OccultHawk · 02-27-2019, 01:47 AM

Quote:

Originally Posted by Frownland

Can you review Deaf Cuts?

Chinese Man in the Sky - Kung Blues

Drums and racist Ching-Chong yelping.

Should only be played backwards and underwater.

Seven

**Frownland** · 02-27-2019, 06:19 PM

Is it still racist if it's done by a ching chong himself (well I mean it's racist now that I'm referring to him as a ching ching but...)? Auto-cultural appropriation is a new one for me.

Story behind that name: a group of us were doing acid in a park and Jesse said "I feel a poem, don't interrupt me" and he went on a long screed that ended with something like "I will never die, I am the Chinese man in the sky". Right when he said that, the wind got really intense and loud. Minds were demolished and the name stuck.

02-21-2019, 07:52 PM	#943 (permalink)
Blarobbarg Do good. Join Date: Feb 2011 Location: Minneapolis, Minnesota Posts: 2,065	Eh, I could be making mountains out of molehills. Or projecting. If you're good, you're good, and that's good enough for me. __________________ https://rateyourmusic.com/~Blarobbarg ｡･::･ﾟ★,｡･::･ﾟ☆　^my RYM^　｡･::･ﾟ★,｡･::･ﾟ☆ (◠‿◠✿)

02-24-2019, 05:54 PM	#945 (permalink)
OccultHawk one-balled nipple jockey Join Date: Dec 2010 Location: Dirty Souf Biatch Posts: 22,033	Over the past couple weeks I’ve listened to the complete discography of Public Enemy. I’ve been a big fan of them since damn near the get-go and was very fortunate to get to see them early in the career. Crazy experience actually. Very front general admission. Only white guy. Punched in the back the head. Hat stolen. Met Terminator X. In a nutshell, PE is one of those bands (like AC/DC) that sticks with a winning formula. The first two records lay the groundwork for their entire sound. Fear of a Black Planet runs the same formula with a glossier production. After that they basically keep reworking the style, laying out similar hard hitting beats and frequently sampling and quoting themselves. Their beats, djing, and production are consistently fantastic throughout their discography. I recommend everything by Public Enemy but Bum Rush and Nations are the band’s DNA. __________________ 2016 2017 2018 2019 2020 Member of the Year & Journal of the Year Champion Behold the Writing of THE LEGEND: https://www.musicbanter.com/members-...p-lighter.html

02-27-2019, 06:19 PM	#950 (permalink)
Frownland SOPHIE FOREVER Join Date: Aug 2011 Location: East of the Southern North American West Posts: 35,548	Is it still racist if it's done by a ching chong himself (well I mean it's racist now that I'm referring to him as a ching ching but...)? Auto-cultural appropriation is a new one for me. Story behind that name: a group of us were doing acid in a park and Jesse said "I feel a poem, don't interrupt me" and he went on a long screed that ended with something like "I will never die, I am the Chinese man in the sky". Right when he said that, the wind got really intense and loud. Minds were demolished and the name stuck. __________________ Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. d e a f b o x