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#1 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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More of Marc Ribot? Most definitely.
Listening to the album again, there's a heavy Frith and Otomo Yoshihide influence on there too.
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
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#2 (permalink) |
one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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You've mentioned some guitarists with mad technical skills including Frith and even McLaughlin. I suppose Eugene Chadbourne is someone in there, too. Let's just take one that we agreed upon: Derek Bailey. This isn't a dis because, hey, I'm comparing you to Derek Bailey, but Bailey was working from a framework of virtuosity and then scaled it back in order to showcase his ideas above his playing. Although your music doesn't feel forced (you know how much I like it) you strike me much more as a musician with a No New York post punk (now many posts later) ethic who's unsatisfied with any sort of limitations. Is it correct to say that your fans can expect change as you continue to grow as a guitarist? And if so, how important is individuality? Also, should we expect your solo work to stay in the realm of the atonal?
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