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Win The Batlord Over to Prog
I'm thieving the idea behind Janszoon's "Win Janszoon Over to the Beatles" thread. Suck it, Jans.
As some of you know, I don't really give much of a **** about prog. I've dug some of it, but in general, it makes me snooze, or at least even if I dig it my attention starts to wander after a while since I have the attention span of a gnat. But I still haven't listened to that much of it. So, feel free to post album recs to try to change my mind. Just keep in mind that I'm a metalhead, prefer accessibility, and have no real grasp of technicality. Previously I've dug a bit of King Crimson---though I really haven't listened to that much of them---, I actually enjoyed Asia's debut a few weeks ago, and love Queensryche. Depending on how many, if any, recs I get, I might not get around to it all, or at least not for a while, but what I listen to I'll review in this thread. P.S. Though I have stolen Jans' idea, I still give him no credit. Already Reviewed... Albums Rush - 2112 Rush - Hemispheres miRthkon - Vehicle Songs Genesis - "The Knife"/Marillion - "Forgotten Sons"/Twelfth Night - "Creepshow" |
If you're gonna do it, might as well start with one of the founders of the *cough* genre. Still stands the test of time.
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Actually I'd say 2112 has dated quite a bit, I'd go wit Hemispheres if you're looking for proggy Rush.
http://i.ytimg.com/vi/GJJSe4YnhYU/maxresdefault.jpg |
I thought about that (actually, my favorite), but wanted to start off with something that would be more 'roots' grounded. I looked at tracklistings for everything after their debut and when all the smoke cleared, 2112 was the winner.
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Try miRthkon - Vehicle for a little avant-prog zaniness. Also try Etron Fou Leloublan - Batlages for some of the best RIO has to offer. They're both pretty accessible.
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I think you might enjoy the rabble-rousing images and violence in this early Genesis song... Give it a chance. It's quite heavy for a prog band.
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The reason you enjoy the Asia debut so much, is that it's AOR and not prog. The whole concept of Asia was that they were a supergroup of prog artists dedicated to doing shorter tracks, that were radio friendly, slick enough for MTV and designed to fill out rock arenas in the early 1980s, they were literally artists jumping onto the AOR bandwagon.
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Yeah, I would not call Asia prog in any sense of the word, despite having ex-members of Yes and ELP in it.
While you're at it, have one of the greatest songs Marillion ever wrote (don't worry about the radio-tuning bit at the beginning, it's only a few seconds) and since you like creepy/horror stuff, you may get something out of this classic... |
I'm assuming if you are a metalhead you have listened to and enjoyed Opeth. Those guys went from death metal to prog death metal to straight up prog, so I think the most helpful suggestions would be from the guys who really influenced Opeth. And if you haven't listened to Opeth, they are the perfect place to start to get a taste for prog. Ghost Reveries is probably the first thing you need.
If, however, you have already gone through all that, then here's a couple albums to get you going: Camel - Mirage King Crimson - Red Rush - A Farewell to Kings (I was about to agree with the 2112 rec up top but as far as accessibility while still being balls deep in their prog phase, this is the place to start) If you want something more contemporary, you can't go wrong with The Mars Volta - Deloused in the Comatorium Porcupine Tree - Fear of a Blank Planet |
I'm surprised nobody has suggested ELP to him yet, that's the true test for somebody listening to prog.
The Canterbury Scene is a goldmine for prog, but its unique style is not for everybody, then there is the German Krautrock scene from the same era......... **** where should Batlord start:D |
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As do I. A recommendation in itself perhaps? ;) Nah, they were just over-egotistic show offs. |
To this day I still struggle to enjoy ELP. Tarkus is pretty good, but I never understood why Brain Salad Surgery is heralded as such a prog masterpiece. Still...You Turn Me On is pretty good, but the rest is ridiculous keyboard noodling.
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Genesis- Foxtrot Genesis- Selling England by the Pound Yes- Yes Album Yes- Fragile Yes- Close to the Edge KC- In the Court of the Crimson King KC- In the Wake of Poseidan (I would only listen to Red if listening to the two other albums that came just before it Larks and Starless) Quote:
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We were talking about Supertramp the other day, why not give Crime of the Century a shot? It's not on YouTube, or I'd post a video. I have a feeling you're going to hate it, but oh well.
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lol @ the Genesis recs.
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So imma just start recing some weird **** and newer stuff.
Krautrock: Can - Tago Mago Can - Ege Bamyasi Neu! - Neu! Neu! - Neu! '75 Faust - IV Classic Prog: Rush - Hemispheres Rush - A Farewell To Kings Rush - 2112 Yes - The Yes Album King Crimson - In The Court Of The Crimson King King Crimson - Larks Tounge In Aspic King Crimson - Red Other **** I consider to be prog: King Crimson - Three Of A Perfect Pair Tool - Ænima Tool - Lateralus Primus - Pork Soda Opeth - Blackwater Park Opeth - Heritage The Dillinger Escape Plan any of their albums will do Pink Floyd - Dark Side Of The Moon Pink Floyd - Meddle Pink Floyd - Animals Sorry if any of these are repeats |
Just listen to this
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I might steal this type of thread idea at some point reat way to get recs fast.
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Also, I think we're bombarding him here, which is never a good idea with prog. You want to try it, see what you like and move on from there, rather than pile up a list of recs, many of which he may not ever try. I'd suggest limiting your ideas to one or two tracks you think might appeal to him. |
Like I said on page 1, the twenty-something minute title track is fantastic. Multiple listens are kind of dulling the effect, but it's still pretty awesome. The first part, "Overture" perhaps throws a few too many riffs out without sticking to them long enough, but for the most part they're high quality, and when it leads into "The Temples of Syrinx" the awesomeness kicks into high gear. With a beefier production it would actually be heavy as **** at times. As it is, it's still metal as ****. This also contains my fav vocal performance of the album. Their singer has always been what got between me and liking this band. His voice is just borderline annoying. But his more raw singing style on much of this album really brings an energy that is just infectious, and especially during this part of the title track. Third part, "Discovery" is one of several melodic interludes. I'm ignorant of songwriting in general, and with prog I'm pretty much adrift without a sail or an oar, so I have no idea why there should be a tempo shift here, or why the band should use this rather than that change. I'm still digging this though. Each softer part is unique, and when it gets more metallic the song is all the more intense for it. So I'm just gonna assume Rush know what they're doing. That being said, many of the sections seem more like samplers of songs, and I actually think that stretching this out into a thirty minute long song would have made each one feel more complete. "The Temples of Syrinx" is just far too awesome to be only two minutes long. I've given this album a few listens to let it sink in, and honestly, I think I'm starting to dig the second half even more than "2112". Being separate songs, they seem to be allowed to develop more than the different sections of the title track. They range from heavier numbers, to somewhat complex power pop, and even a rather awesome ballad. Not to mention a killer closer in "Something for Nothing". I can see why Machine would say this was dated, but it's still an excellent album to start off with, and possibly the first step to me not hating Rush. We'll see. |
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Oh god, that's heavy for prog? I'm ****ed. I guess it is kinda heavy though. It also manages to be whimsical rather than just absurd. I imagine there's gonna be a fine line between like and loathe with Genesis' singing, but whoever that dude is manages to sound charming, and has a fair amount of energy. I think they might not being going for whimsical though. Sounds like Genesis is going for epic, in the LOTR sense of the word. It is a pretty epic song, but that Hammond organ makes it goofy as well. See Deep Purple for the proper use of a Hammond organ in a rock song. I could listen to more Genesis. Quote:
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The reason that interlude is in 2112 is that this is the point where (if you read the story of the concept) the hero finds an ancient guitar and starts to play it, thus leading to his "discovery" in another sense. The ending is pretty terrible though and I have always said it. Neil, you tosser.
Also, as to my recs, um, **** you. Night now! :) |
See? Canadians can make music too.
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'Batlord', considering you're a fan of Queensryche, ( hugely influenced by Rush ) as am I, I'm surprised you haven't explored the Rush catalog already. Many of the bands you listen to also cite Rush as a prime influence. In short order, there would be no Queensryche without Rush paving the way for them. Not to mention others like Dream Theater, Fates Warning, Savatage, Crimson Glory, and King's X. Good luck on your quest for the best in prog rock ( :dj:...:D ). |
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But I presume you knew that already. :) |
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Dude I still don't get your problem with Wilco. |
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