|
Register | Blogging | Search | Today's Posts | Mark Forums Read |
![]() |
|
Thread Tools | Display Modes |
![]() |
#1 (permalink) |
Groupie
Join Date: Sep 2008
Posts: 13
|
![]()
I'm scoring a film project of mine, which is a crime thriller, and I want a low bass instrument to be used for suspense and also for dark comedy in some sections.
I could use both, or I could just choose one for more consistency in the bass sound. But if I do choose just one, what should it be for suspense and dark comedy in other parts? |
![]() |
![]() |
![]() |
#2 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 34,482
|
![]()
You should use double bass for most of it, but you should add some tuba moments during the funny bits like *womp womp*
__________________
At a time like this, scorching irony, not convincing argument, is needed. |
![]() |
![]() |
![]() |
#6 (permalink) |
SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 34,482
|
![]()
I just think it'd sound nice and you wouldn't have to incorporate extended techniques to be more dynamic. They both could work and only you can say if the context of the rest of the instrumentation is appropriate.
__________________
At a time like this, scorching irony, not convincing argument, is needed. |
![]() |
![]() |
![]() |
Thread Tools | |
Display Modes | |
|