Juicious Maximus III
Join Date: Nov 2008
Location: Scabb Island
PFAC Homework Poll
Every week in the Prog & Fusion Album Club
, we have a homework assignment which is listening to that week's prog or fusion album. So, which one is it gonna be next week?
Here are the contestants!
Originally Posted by James
Dün - Eros
Eros is a Zeuhl album (Zeuhl is a subgenre of Avant-prog originating from France that describes a blend of Modern Classical, Prog Rock and Jazz), but it's so much more than that. This album had a huge influence on Math-Rock and the best description i've saw of it is, "A blend between Zappa and Mahavishnu Orchestra with Mathy overtones". The Zappa influence is rather obvious, especially in the time signatures which are just crazy. After the powerful opening track the music takes a more atmospheric turn. The titletrack is a personal highlight with the slow build-up of the flute until the breathtaking climax. This album also has some outstanding Xylophone playing, which for me is a very underrated instrument.This album truly leaves me on the edge of my seat, completely and utterly thrilling. This is the best Prog album of the 80's in my mind, nothing can beat it. A lot of Zeuhl you hear(I haven't heard much though) is just boring and does exactly what it says on the tin, but this takes it to a new level. It takes Zeuhl and turns it into something outstanding. So please vote for this album, it's a masterpiece and i'd love some other opinions on it. Plus if you haven't already heard it(Although this club is usually dominated by major Progheads so you probably have) you must, leaves me in awe every time I play it.
Originally Posted by eric generic
Genesis - Selling England by the Pound (1973)
we haven't tackled this yet have we?
from ABC&T Presents: Your Introduction to Prog
Those who don't know prog probably knows Genesis as the rock band fronted by Phil Collins and they've certainly gained a bad rep over the years. However, there was a time when Genesis was one of the most exciting acts of the prog movement. Their songs rather than their skills as musicians took center stage and their musicality and songwriting skills coupled with then frontman Peter Gabriel's over the top on-stage theatrics earned them a following which has lasted and gained them fans to this day. Their efforts then now sit comfortably as some of the biggest influences on the genre. Their fifth album "Selling England by the Pound" is widely regarded as their top album and mixes progressive rock with pop accessibility for a powerful result. It is one of the most essential prog albums you can get your hands on.
Our Comments :
Anteater : I may not be English, but that doesn't change the fact that Selling England... is a majestic piece of work from start to finish.
Boo Boo : This is indeed their best work. The Cinema Show is their most beautiful song, the acoustic guitar harmonies alone could hook you, but the way they could pile on one goregeous melody after another is just astonishing.
Comus : Along with Foxtrot this is one of the best examples of what progressive rock is all about. Highly recommended.
toretorden : Not one of my highest ranking prog records, but damn fine album all the same. Peter Gabriel is a weirdo.
Originally Posted by Anteater
Mike Oldfield - Amarok (1990)
Far better than the ever-lauded Tubular Bells
IMO, this 60 minute, 1 track effort from the master of ambient-prog is Oldfield's finest moment. Like previous works, Oldfield is responsible for most of the eclectic instrumentation. Worldbeat atmospherics, stabs at synthwork which wouldn't be too far out of place in a Legend of Zelda game, insanely good guitar and bass and loads of percussion are but a few of the things you'll hear in Amarok
, but such is but a modest overview of how grand this suite is and I couldn't do it justice in 10 paragraphs, much less this one.
But basically, this is top class world-prog. fusion, and one of the 90's Holy Grails of prog. for those interested, so hope a few of you give it a whirl. xD
Originally Posted by Lisnaholic
by Passport (1975)
Back in 1970, the accomplished German sax/keyboard player Klaus Doldinger wanted to combine his jazz playing with the rhythms of rock so he put together his jazz fusion band, Passport
. Although there were line-up changes along the way, right through the `70s and into the early `80s, Passport
were pumping out albums at a rate of one a year, so this album, Cross Collateral,
comes in the middle of a sustained creative streak. It is one of their best-regarded albums, and although KD is credited as composer for the whole album, he is helped out here by synthesizer wizard Kristian Schultze. Together they play some dynamic, sparkling leads while the rest of the band occassionally contribute the kind of riffs that a prog-rock band would die for. On other, more subdued tracks they go for a sound slightly closer to pure jazz.
All in all, this is a very accessible, clean-sounding instrumental album, but just how well KD succeeded in fusing jazz and rock would be for us to decide.
Let the pollage begin!
In the age of information, ignorance is a choice.