101 Albums I Love

Son of JayJamJah · 09-27-2007, 01:03 AM

Quote:

Originally Posted by The Dave

I used to play Morning View all the time, then the album with Megalomaniac came out (Is the album titled Megalomaniac?), and I kinda had a falling out with them, I just didn't care for that album much at all. Incubus was one of the first bands I ever really got into, and Morning View being the first album of theirs I got into.

I totally agree with you, that album was called "A crow left of the murder" I think. Also there most recent album Light Gernades is pretty weak too. Still there first three albums (mainstream) are very very good. You should give morning view another listen sometime soon, I think you'll be surprised how much you still like it.

Son of JayJamJah · 09-27-2007, 01:10 AM

58.

Crosby Stills Nash & Young – Four Way Street (1971)
The 1971 “Four Way Street” is a double album packed with memorable live performances spanning the past years for the group collectively and in their solo or side projects. Four of the era’s most prolific and dynamic songwriters combine and bring a symphony of sound from varying prospectives with a consistent country folk rock sound carrying the music. Opening with the immortal “Suite: Judy Blue Eyes”, which first appears two years prior on the CSN debut album, the tone is set from the start. A Stephen Stills title about his former girlfriend Judy Collins, which is hinted at within the title, it contains four separate movements combined into one “Suite” Each section has it’s own personality and trademark and together they form on the decades most successful and memorable songs. Another mainstream highlight from the album comes just a few tracks later with Graham Nash’s thoughtful “Teach your Children” a heartfelt and cautionary tale relating his thoughts on raising children. With a soft country undertone and the trademark CSNY harmonizing vocals it’s another song that’s tough not to like. The next two tracks are David Crosby numbers my favorite of which is “The Lee Shore” a somber acoustic\vocal track with an eerie ease throughout the verses. “Chicago” is a wonderfully written powerful track addressing the affairs and trial of the Chicago Eight and the riots outside the Democratic Convention within the city. The lyrics are a plea to Graham Nash’s band mates to join him in Chicago for the protest. It features one of the best intros of all time. Neil Young’s “Cowgirl in the Sand” featured on the second side of the albums first disc is an excellent live performance with gritty acoustic fills and dark rhythms allowing hope to surface just enough, it’s another treat to hear live. “49 bye byes” has about as much of a late sixties\early seventies feel as is possible, it’s a smooth charming little ditty. The first side closes with the outstanding “Love the one you’re with” courtesy of Stephen Stills. The steady strumming rhythm of Stills version (The original) has been often imitated but never duplicated. It’s punchy up-tempo rhythm and tender message are an entrancing combination. Graham Nash’s “Pre Road Downs” with its country stomp intro and electric pulse is an energetic opening to the second disc in the album. It only gets better from there as David Crosby’s piercing “Long Time Gone” with electric fills and forceful lyrical delivery lends itself to the socially conscious nature of the quartet. Neil Young’s critical “Southern Man” is another example of this and was even able to create a rift between himself and Southern rock musicians most notably Lynyrd Skynyrd who address Neil Young in pithy fashion during Sweet Home Alabama. Neil Young’s commentary extends to the campus of Kent State with the renowned “Ohio” with one of the most tangible and apropos riffs imaginable. Heavily critical authority and the actions of the soldiers that resulted in “four dead in Ohio” it was a very controversial track upon its release. The slightly more light hearted and optimistic “Carry On” written by Stephen Stills, the quiet star of the album, it encompasses all the elements of CSNY into a wonderful penultimate track for the double album. Concluding the performance is “Find the cost of Freedom” a simple straight to the point composition featuring an instrumental intro comprising the first half of the songs and echoing harmonizing vocals that conclude acapella style bringing an end to the concert and the audience to their feet. A great place to start for potential CSNY fans.
Musical Content: *****
Artistic Content: ***
Impact: *****

Favorite Song: Suite: Judy Blue Eyes

57.

311 - Evolver (2003)
For whatever reason this album was met with very poor reviews from critics, in fact it is one of 311’s worst reviewed albums. Still I would argue it is there most “evolved” and consistent album ever. It’s a mature more focused effort with a clear purpose and excellent execution. Beginning with “Creatures (For a while)” which achieved moderate success as a radio single, and is a well placed track with good energy throughout and it sets the tone nicely for the rest of the album including the subsequent “Reconsider Everything” a very traditional 311 styled ska fueled electric ode which knows it’s place. “Crack the Code” was the first track from this album to really reel me in; from top to bottom it is a beautifully constructed rhythmic romp. Highlighted by a careful progressive loop built around the catchy chorus. Next on the docket is “Same mistake twice”. The strength of this track are the well phrased and carefully placed verses. The melodic transient “Beyond the Grey Sky” is the most tranquil track the listener experiences and the most personal track for the band in particular lead vocalist and songwriter Nick Hexum. With its smooth melancholy and steady pacing gently leading into the harmonious chorus it is a particularly unique track in the 311 library. There is a track like “It seems uncertain” on every 311 album and they are always enjoyable this one with its standout instrumental quality in particular. Understated rhythms unique to each section give the song even more grace then even it’s natural beauty posses. And while ambiguity is far from a stance it is a particularly conscious track for the band. “Still Dreaming” is next and another almost from outer space like sound. A bit choppy but not lacking the charm inherent to 311 music. “Give me a Call” is a catchy little spasm of a song with a bubbly energy and natural appeal unfailing throughout the album. Smooth moving and again very well placed amongst the context of the album. “Don’t Dwell” is another bouncy energetic track with a very sticky bridge that is impossible not to move your head and feet to. The most fun and free spirited song on the album; among my favorites on this and any 311 album. “Other side of Things” is one of the heaviest efforts on the album and another solid track with a solid circular poppy chorus. Several layers that quickly unfold give it great energy. The closing track “Sometimes Jacks Rule the Realm” is a stunning endeavor that surprised me almost as much as I enjoy it. Intricate while raw featuring stand out performances by all members on all levels, each layer of the song is added and subtracted at exactly the right time while it’s tranquil steady vibe carries away the burdens of your day. Might be the best 311 song I’ve yet to hear. An album without a bad track and very few if any that you would classify as filler, a more thoughtful mature and musical conquest and a permanent favorite of mine.
Musical Content: *****
Artistic Content: ****
Impact: ****

Favorite Song: Sometimes Jacks Rule the Realm

There would be one more album but it exceeded the character limit. To be Continued...

Son of JayJamJah · 09-27-2007, 01:18 AM

56.

Ben Folds Five – Whatever and ever Amen (1997)
The second and most notable effort for the three member Ben Folds Five is a celebration of music and its power. Essentially a 45 minute jam session interrupted by at times brilliant song writing from a then still blossoming Ben Folds. The vigorous “One Angry Dwarf and 200 Solemn Faces” is one of several sardonic songs of rebellion or youthful angst. “Fair” which follows it is a carefully written delicate almost there type song. Lite and bouncy with a sort of casual flare that has an ordinary but delightful attraction. “Brick” is the third track and a song anyone over the age of 20 likely knows and knows fairly well. A huge radio hit fueled by a repetitive piano riff of chord arpeggios. The songs subject matter deals with an unfortunate trip to an abortion clinic and sets an appropriately very morose but captivating mood. If you’ve heard it a million times you probably still like it, if you’ve not heard it, do so. “Song for the Dumped” is just that, a very honest and direct excavation of emotion. Folds’ eloquently demonstrates how to effectively use profanity at the initial climax and in subsequent instances. It also features a nice instrumental piano lead interlude and guitar solo on the back end. A few tracks later “Kate” which experienced more success in the UK and Europe then in the states; with it’s a bar room style piano, distorted electric melody and peculiar lyrics is a strong and enjoyable jaunt. “Smoke” is a breathless European styled pseudo-love song and perhaps a guilty pleasure of mine. The most free spirited all out jam on the album is “Steven’s Last Night in Town” it is the standout performance for drummer Darren Jessee, and features a nice horn section and that’s just hard for me to resist. There is a clear Big band soul within the song and the drumming brings it to the forefront. The second single from the album was “The Battle of Who could Care Less” which is a fairly generic song but played by excellent musicians as it is in this case it is a solid listen. The deliberate “Missing the War” moves at a suave pace as the silver tongued Folds’ narrates the events of the song. One of many tracks with excellent back up vocals and another example of the Bands musical agility; pure relaxation. The closing “Evaporated” has that last dance kind of pacing and sound to it and leaves an indelible mark on the listener persuading you to start the album all over again. Not sure why but this song has always been particular favorite of mine and one I can barely listen to in affecting moments. Just a pure expression of emotion with incredible care placed into each measure. A fitting end to an album that is among my favorite of the decade only possible when done by the kind of trio that calls them self a five.
Musical Content: ****
Artistic Content: ****
Impact: *****

Favorite Song: Evaporated

55.

Ben Harper - Lifeline (2007)
101 Style Review coming soon
Musical Content: *****
Artistic Content: ****
Impact: ****

Favorite Song: Heart of the Matters

In the mean time...

http://www.musicbanter.com/album-rev...-lifeline.html

sleepy jack · 09-27-2007, 02:23 AM

Give me my money back you bitch, I want my money back and don't forget to give me back my black t-shirt.

The Dave · 09-27-2007, 01:53 PM

Quote:

Originally Posted by JayJamJah

I totally agree with you, that album was called "A crow left of the murder" I think. Also there most recent album Light Gernades is pretty weak too. Still there first three albums (mainstream) are very very good. You should give morning view another listen sometime soon, I think you'll be surprised how much you still like it.

Yeah, it is Crow Left of The Murder, it had some decent tracks, but overall it lacked. I've yet to check out Light Grenades. But yeah, Morning View is home so I won't be able to listen to it until I go home for Thanksgiving.

sleepy jack · 09-28-2007, 11:59 PM

Damn jjj I was going to slow down for you but you're all the way at 55! This post was kind of pointless so i'd like to restate how awesome that Ben Folds Five album is. Yeah its awesome.

Son of JayJamJah · 09-29-2007, 06:24 PM

Look how effing long my reviews are...

And yes that BF5 Album is great almost as great as a three piece band being called a five.

Thread Closed for remodeling...re-release expected in late 2009.

Re-release postponed again, not sure I'll ever get around to it, too hard to stay satisfied with the results.

PPeeks · 02-09-2011, 12:34 AM

Quote:

Originally Posted by JayJamJah

In addition "Whiskeyclone, Hotel City 1997" is among my personal favorites. Beck is among my favorite solo artists of the last twenty years and Mellow Gold is a wonderful example of creative and unique an artist he is.

i love this.
this song is the best Beck song.

09-27-2007, 01:10 AM	#62 (permalink)
Son of JayJamJah Occams Razor Join Date: Jul 2007 Location: End of the Earth Posts: 2,472	Albums 57 & 58 58. *Crosby Stills Nash & Young – Four Way Street* (1971) The 1971 “Four Way Street” is a double album packed with memorable live performances spanning the past years for the group collectively and in their solo or side projects. Four of the era’s most prolific and dynamic songwriters combine and bring a symphony of sound from varying prospectives with a consistent country folk rock sound carrying the music. Opening with the immortal “Suite: Judy Blue Eyes”, which first appears two years prior on the CSN debut album, the tone is set from the start. A Stephen Stills title about his former girlfriend Judy Collins, which is hinted at within the title, it contains four separate movements combined into one “Suite” Each section has it’s own personality and trademark and together they form on the decades most successful and memorable songs. Another mainstream highlight from the album comes just a few tracks later with Graham Nash’s thoughtful “Teach your Children” a heartfelt and cautionary tale relating his thoughts on raising children. With a soft country undertone and the trademark CSNY harmonizing vocals it’s another song that’s tough not to like. The next two tracks are David Crosby numbers my favorite of which is “The Lee Shore” a somber acoustic\vocal track with an eerie ease throughout the verses. “Chicago” is a wonderfully written powerful track addressing the affairs and trial of the Chicago Eight and the riots outside the Democratic Convention within the city. The lyrics are a plea to Graham Nash’s band mates to join him in Chicago for the protest. It features one of the best intros of all time. Neil Young’s “Cowgirl in the Sand” featured on the second side of the albums first disc is an excellent live performance with gritty acoustic fills and dark rhythms allowing hope to surface just enough, it’s another treat to hear live. “49 bye byes” has about as much of a late sixties\early seventies feel as is possible, it’s a smooth charming little ditty. The first side closes with the outstanding “Love the one you’re with” courtesy of Stephen Stills. The steady strumming rhythm of Stills version (The original) has been often imitated but never duplicated. It’s punchy up-tempo rhythm and tender message are an entrancing combination. Graham Nash’s “Pre Road Downs” with its country stomp intro and electric pulse is an energetic opening to the second disc in the album. It only gets better from there as David Crosby’s piercing “Long Time Gone” with electric fills and forceful lyrical delivery lends itself to the socially conscious nature of the quartet. Neil Young’s critical “Southern Man” is another example of this and was even able to create a rift between himself and Southern rock musicians most notably Lynyrd Skynyrd who address Neil Young in pithy fashion during Sweet Home Alabama. Neil Young’s commentary extends to the campus of Kent State with the renowned “Ohio” with one of the most tangible and apropos riffs imaginable. Heavily critical authority and the actions of the soldiers that resulted in “four dead in Ohio” it was a very controversial track upon its release. The slightly more light hearted and optimistic “Carry On” written by Stephen Stills, the quiet star of the album, it encompasses all the elements of CSNY into a wonderful penultimate track for the double album. Concluding the performance is “Find the cost of Freedom” a simple straight to the point composition featuring an instrumental intro comprising the first half of the songs and echoing harmonizing vocals that conclude acapella style bringing an end to the concert and the audience to their feet. A great place to start for potential CSNY fans. Musical Content: *** Artistic Content: * Impact: *** Favorite Song: Suite: Judy Blue Eyes 57. 311 - Evolver (2003) For whatever reason this album was met with very poor reviews from critics, in fact it is one of 311’s worst reviewed albums. Still I would argue it is there most “evolved” and consistent album ever. It’s a mature more focused effort with a clear purpose and excellent execution. Beginning with “Creatures (For a while)” which achieved moderate success as a radio single, and is a well placed track with good energy throughout and it sets the tone nicely for the rest of the album including the subsequent “Reconsider Everything” a very traditional 311 styled ska fueled electric ode which knows it’s place. “Crack the Code” was the first track from this album to really reel me in; from top to bottom it is a beautifully constructed rhythmic romp. Highlighted by a careful progressive loop built around the catchy chorus. Next on the docket is “Same mistake twice”. The strength of this track are the well phrased and carefully placed verses. The melodic transient “Beyond the Grey Sky” is the most tranquil track the listener experiences and the most personal track for the band in particular lead vocalist and songwriter Nick Hexum. With its smooth melancholy and steady pacing gently leading into the harmonious chorus it is a particularly unique track in the 311 library. There is a track like “It seems uncertain” on every 311 album and they are always enjoyable this one with its standout instrumental quality in particular. Understated rhythms unique to each section give the song even more grace then even it’s natural beauty posses. And while ambiguity is far from a stance it is a particularly conscious track for the band. “Still Dreaming” is next and another almost from outer space like sound. A bit choppy but not lacking the charm inherent to 311 music. “Give me a Call” is a catchy little spasm of a song with a bubbly energy and natural appeal unfailing throughout the album. Smooth moving and again very well placed amongst the context of the album. “Don’t Dwell” is another bouncy energetic track with a very sticky bridge that is impossible not to move your head and feet to. The most fun and free spirited song on the album; among my favorites on this and any 311 album. “Other side of Things” is one of the heaviest efforts on the album and another solid track with a solid circular poppy chorus. Several layers that quickly unfold give it great energy. The closing track “Sometimes Jacks Rule the Realm” is a stunning endeavor that surprised me almost as much as I enjoy it. Intricate while raw featuring stand out performances by all members on all levels, each layer of the song is added and subtracted at exactly the right time while it’s tranquil steady vibe carries away the burdens of your day. Might be the best 311 song I’ve yet to hear. An album without a bad track and very few if any that you would classify as filler, a more thoughtful mature and musical conquest and a permanent favorite of mine. Musical Content: * Artistic Content: Impact: Favorite Song:** Sometimes Jacks Rule the Realm There would be one more album but it exceeded the character limit. To be Continued... Last edited by Son of JayJamJah; 10-08-2007 at 08:46 PM.

09-27-2007, 01:18 AM	#63 (permalink)
Son of JayJamJah Occams Razor Join Date: Jul 2007 Location: End of the Earth Posts: 2,472	Albums 55 & 56 56. *Ben Folds Five – Whatever and ever Amen* (1997) The second and most notable effort for the three member Ben Folds Five is a celebration of music and its power. Essentially a 45 minute jam session interrupted by at times brilliant song writing from a then still blossoming Ben Folds. The vigorous “One Angry Dwarf and 200 Solemn Faces” is one of several sardonic songs of rebellion or youthful angst. “Fair” which follows it is a carefully written delicate almost there type song. Lite and bouncy with a sort of casual flare that has an ordinary but delightful attraction. “Brick” is the third track and a song anyone over the age of 20 likely knows and knows fairly well. A huge radio hit fueled by a repetitive piano riff of chord arpeggios. The songs subject matter deals with an unfortunate trip to an abortion clinic and sets an appropriately very morose but captivating mood. If you’ve heard it a million times you probably still like it, if you’ve not heard it, do so. “Song for the Dumped” is just that, a very honest and direct excavation of emotion. Folds’ eloquently demonstrates how to effectively use profanity at the initial climax and in subsequent instances. It also features a nice instrumental piano lead interlude and guitar solo on the back end. A few tracks later “Kate” which experienced more success in the UK and Europe then in the states; with it’s a bar room style piano, distorted electric melody and peculiar lyrics is a strong and enjoyable jaunt. “Smoke” is a breathless European styled pseudo-love song and perhaps a guilty pleasure of mine. The most free spirited all out jam on the album is “Steven’s Last Night in Town” it is the standout performance for drummer Darren Jessee, and features a nice horn section and that’s just hard for me to resist. There is a clear Big band soul within the song and the drumming brings it to the forefront. The second single from the album was “The Battle of Who could Care Less” which is a fairly generic song but played by excellent musicians as it is in this case it is a solid listen. The deliberate “Missing the War” moves at a suave pace as the silver tongued Folds’ narrates the events of the song. One of many tracks with excellent back up vocals and another example of the Bands musical agility; pure relaxation. The closing “Evaporated” has that last dance kind of pacing and sound to it and leaves an indelible mark on the listener persuading you to start the album all over again. Not sure why but this song has always been particular favorite of mine and one I can barely listen to in affecting moments. Just a pure expression of emotion with incredible care placed into each measure. A fitting end to an album that is among my favorite of the decade only possible when done by the kind of trio that calls them self a five. Musical Content: ** Artistic Content: Impact: * Favorite Song: Evaporated 55. Ben Harper - Lifeline (2007) 101 Style Review coming soon Musical Content: * Artistic Content: Impact: Favorite Song:** Heart of the Matters In the mean time... http://www.musicbanter.com/album-rev...-lifeline.html Last edited by Son of JayJamJah; 10-08-2007 at 08:48 PM.

09-29-2007, 06:24 PM	#67 (permalink)
Son of JayJamJah Occams Razor Join Date: Jul 2007 Location: End of the Earth Posts: 2,472	Look how effing long my reviews are... And yes that BF5 Album is great almost as great as a three piece band being called a five. Thread Closed for remodeling...re-release expected in late 2009. Re-release postponed again, not sure I'll ever get around to it, too hard to stay satisfied with the results. Last edited by Son of JayJamJah; 07-13-2009 at 03:17 PM.