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#431 (permalink) |
Music Addict
Join Date: Aug 2016
Location: Cincinnati, Ohio
Posts: 82
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Really love the earlier Pixies stuff, up through Doolittle. I saw them on their first US tour, on the day Surfer Rosa was released. My top ten Pixies songs, in no particular order (except the first one) and subject to change:
I've Been Tired Nimrod's Son Levitate Me Weird At My School Cactus River Euphrates Down To The Well (not the version on Bossanova) Wave Of Mutilaton Gouge Away Ed Is Dead |
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#432 (permalink) |
Music Addict
Join Date: Jul 2022
Posts: 113
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I once owned all the studio albums, long before a reunion occurred, but ended up shedding them all apart from Doolittle. That album is almost perfect but the others are spotty at best.
Bossanova would be my (distant) second favourite and Trompe le Monde has the odd fine track. |
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#434 (permalink) | |
Music Addict
Join Date: Jul 2022
Posts: 113
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LOL! It's across the board, I'm afraid. There came a point in time where I decided to only keep albums that were (IMO) exceptionally consistent and really meant something to me. If I didn't do that, my music collection would be double the size it currently is now and largely unmanageable. |
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#436 (permalink) | |
Music Addict
Join Date: Jul 2022
Posts: 113
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IMHO, Surfer Rosa is probably the quirkiest of the first four full-length studio albums, but I found it to be the least substantial. Bone Machine, Gigantic and Where is My Mind? are still excellent cuts, but the rest I can easily live without. Anyway, I’m the type of music lover who usually swims against the tide of popular opinion. For example, many consider Slowdive’s best album to be Souvlaki, which I think is utter bull (especially if one knows the background and has heard the shelved demos). But, hey, different strokes... |
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#437 (permalink) | ||
???pp? ??snW
Join Date: Nov 2013
Location: NO
Posts: 683
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#438 (permalink) | ||
Music Addict
Join Date: Jul 2022
Posts: 113
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Souvlaki was the sign of a band losing their confidence and pandering towards the flakiness of Alan McGee, who heavily criticised the original demos. Sonically, I found the dynamics on this album to be flat, in comparison to Just for a Day. Even the Brian Eno collaboration is lame. Pygmalion is good in parts but it sounds unfinished and lacks focus. I think the demo bootleg from this period is far superior. With that said, Just for a Day and The Pygmalion Demos are the only Slowdive albums I consider worth owning. As for the monstrosity that is the 2017 comeback album, don't get me started on that... |
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#439 (permalink) |
Groupie
Join Date: Aug 2022
Posts: 17
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Finally gave their 2019 album a listen and whilst it's not bad or anything I do wish they didn't reunite, those first 2 are classics and Bossanova is excellent as is Trompe Le Monde but there's no spark now, there's the odd really good track but that's about it.
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