Nice. I have that film and I haven't gotten around to watching it yet. Might bump its priority.

I saw Pacific Rim and it was just so awesome. My inner child was jumping for joy the whole time at the awesomeness of what I was seeing on the screen. Sure there were a few cheesy one liners here and there but Idris Elba and Charlie Day gave great performances.

I saw that on Friday and it was amazing. The character storylines kind of took a nosedive during the second half, but when you're talking about giant fighting robots fighting monsters then who really gives a ****. I love how they seemed to have made CGI in an action movie actually work for quite possibly the first time ever. The secret: makes things slow and lumbering so that everything seems to have a feeling of gravity.

And the Evangelion Easter eggs were fantastic.

The only thing that was messing with me is that I saw it in 3-D and it seemed like something was wrong with the screen. The image kept looking a bit blurred for the first 30 mins of it but then everything worked itself out.

From what I hear, they didn't shoot it in 3D to begin with, so I guess it's just not meant to be seen in 3D. Something about perspectives or some such.

Former projectionist alert

The projectionist at that theater left the wrong lens on the 3D projector. Odds are somebody went and told them and they switched it.

I saw Pacific Rim and also loved it. Wonderful blockbuster with a lot of heart. Yes, cities were leveled without much consequence, but I was able to tolerate it in this movie, unlike Man Of Steel. I would actually love to see more movies with these characters and machines.

You're in luck then, because they're filming Pacific Rim 2 as we speak.

Nice Pro Tip. I'll bug someone next time I see that happen.

Balls. I was hoping that a Guillermo del Toro movie actually making money and critical acclaim would mean a studio would greenlight his dream project At The Mountains of Madness that Universal shitcanned a few years ago.

While I often like B movies, I'd love to see a big budget Lovecraft adaptation. Guillermo doing something based on At The Mountains Of Madness would be awesome.

Btw, anyone seen the Evil Dead remake?

I have!!!

What do you want to know about it or did you see it recently?

It didn't reach Norwegian cinemas and, being a fan of the original, I am rather curious. Was it good? :)

I didn't have a really good memory of the original but the remake was really good to me. It kind of lulls a bit in the beginning but then it really gets going. They seemed to have added a bit more gore and the humor is still there but this time they are aware of it instead of the humor being unintentional like the original.

I thought it was a solid 7/10 movie. The reason to go is strictly for the buckets of blood.

That being said, they had to cut some stuff out to secure the R-Rating, so I'm hoping an unrated cut makes its way onto DVD sometime in the near future.

Cool, thanks for letting me know what you think :) Buckets of blood coupled with humour is a good combination!

I watched the Evil Dead remake a little while ago, I liked it. It was insanely graphic. The most stomach churning OHMYGAWD part for me was

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Well, I'm going to have to say this. This was without a doubt the definitive visual experience for me. When Avatar came out I said that it can't get any better visually than this but Guillermo Del Toro did it. It is the pinnacle of special effects achievement. There is no way this film shouldn't make the amount of money Avatar did because its a better film on all accounts. These are bold statements I know but it really is a wonder to behold. Now there are some negatives. The acting was patchy. Idris Elba and Charlie Day were great but suffered through bad dialogue that infested the film. This can be pushed aside though because this is a full blown epic of a sci-fi film. Sci-fi has to be corny at times. It HAS to be. The subject matter at hand basically calls for it. I mean, giant robots battling gigantic aliens monsters? I'm sorry but if Joss Whedon wrote the dialogue it would have come off to hokey. Cheese was needed and I give it a pass. The middle of the film also did lack a bit. But my god the beginning and last 3rd of this film are just some of the most intense and wonderful minutes I've ever seen. It's a wonder. Bravo.

Oh and go see this in a real IMAX theater if you have one near you. It's an eight dollar extra charge for one of the most intense 130 minutes of your life.

4.5/5

Thanks Exo, think we're of a similar opinion regarding cheese, sci fi and dialogue. Definitely looking forward to Pacific Rim now!

I'm definitely with you on the cheese, but one aspect of the storyline legitimately bothered me, not so much that it detracted from the insane awesomeness, but after the movie was over I noticed it more...

I agree with both of these posts. I just saw it yesterday, and despite the crap dialogue and REALLY cheesy moments ("I'm retired Marshall!") I really did love it. The fights were incredible, and the entire storyline reminded me of Godzilla made for 21st century audiences. So yeah, good stuff, as long as you're not expecting Citizen Kane.

yeah, I think I'm going to head down to the city and see if I can catch it in IMAX. I'd love to see it again.

Really looking forward to Pacific Rim. I was considering watching it online but that would probably defeat the purpose of it. It looks like one of those movies that knows exactly what it is, so I don't think I'll be let down. I'm not going in expecting anything other than monsters vs. robots and amazing special effects.

You will love it then.

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Only God Forgives

Let me start off by saying I'm a huge Winding Refn fan, from Drive to Bronson, Valhalla Rising and Fear X. I have yet to see the Pusher trilogy, but I'm sure I'd enjoy that too. Only God Forgives fits perfectly into Winding Refn's filmography. I wouldn't go so far to say it's his best film, but even Refn's least best film is a near stroke of genius in stylish excess. If anyone has followed up with this film at all, you'd know it was crucially divided at the Cannes film festival. One half of the theater was applauding it, while the other half were screaming hatred boos. This film is based on visual aesthetic that keeps the plot going, and for anyone who hates this movie and thinks it's completely plotless, you can shove it. Winding Refn clearly knows how to craft a great plot (Bronson, Drive) but he simply condenses the plot in this film and makes it simple and easy to follow. His intentions were not to create a movie with a thrilling and loopy plot, he clearly just wanted this movie to be shown in images and neon lighting and prove he can do it. Well, he has done it, and Only God Forgives is one of the best films I've had the pleasure in viewing this whole year. Gosling plays his most restrained here, only muttering words when he's spoken too. It's a brooding performance that plays on his facial features so well. This films also probably the most brutal film I've seen this year. It's so abrasive and in your face, it's hard not to squirm, yet I found it very difficult to look away. Only God Forgives is beautiful, ambient and completely as Lynchian as you can get, and I loved every minute of it. Fuck the haters.

4.5/5

I'll be the judge of that kind sir. I'll be seeing it soon. The reviews are not very good but who the f*ck cares.

I've noticed people who dislike it really fucking hate it, and people who like it really love it. I really loved it, I just watched it again. It's more Valhalla Rising than it is Drive.

Valhalla Rising? I thought it somewhat self-indulgent, pretentious and boring. I'm guessing I won't like Only God Forgives then.

I also thought Drive was overrated, though.

Probably won't like it then. I'm a sucker for pretentious art films.

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Kevin Hart's Let Me Explain



This is probably the first time that I've ever went to the theater to see a comedy special and it was definitely worth it. He had an awesome skit at the beginning that tied the whole thing together before he got onto the stage. This was the movie that I needed to see after having such a roller coaster week.

The conjuring was better than I thought it would be, great horror film definitely eerie.

Had a wonderful Friday in Toronto at the TIFF (Toronto International Film Festival) Lightbox. I saw three very different films, here are my thoughts on them.

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The Act Of Killing
This was a very interesting and unique documentary that focused on the lives of Indonesian executioners who slaughtered "communists" in the mid-1960's. I don't know a ton of information about their movement, but the film examined their methods of killing and how they felt about it. The killers, now old men, felt mostly proud of what they had done. I felt that the first hour lacked direction, but it did get a lot more interesting, gripping, and even amusing as it went on. The filmmakers instructed the killers to come up with cinematic recreations of the murders they committed, and these short segments ranged from horrifying and intense to bizarre and surreal. There was one towards the end that was so funny, sad, and meta, it's worth watching the entire film for it alone. 7/10

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Only God Forgives
Like Spring Breakers from earlier this year, I've had to really sleep on this one. Going in, I knew what to expect in terms of plot, dialogue, and themes, so the glacial pacing and silent, solemn tone came as no surprise to me. Fans of Drive be warned, this is NOTHING like that film. It's actually much more similar to Refn's Valhalla Rising, thematically, tonally, and stylistically.

Much has been made of how violent this film is, and while it is very unsettling and often gruesome, Drive and Valhalla Rising were both more graphic. This film is very much in the realm of what to expect from Refn. The only part that had me grabbing my face in horror was a suspenseful, agonizing torture sequence involving ice picks.

The plot is extremely minimal, as is the dialogue. Dialogue only serves two purposes in this film - to drive the plot where action and silence cannot, and to shock and offend. Basically, if you're coming to this movie for an interesting crime thriller like Drive, you're coming for the wrong reasons. The movie has a 45-minute story stretched out into 89 minutes to make a brooding, hypnotic, and meditative experience. And that's what it is, it's an experience.

The visuals, as always, were phenomenal. It might be Refn's best-looking film to date with its neon reds and blues, Kubrickian framing, and Lynchian atmosphere. I was worried that it would be too much and get old quickly, but there was enough variety in the scenery to keep it interesting. And while the film didn't pulse with the catchy, euphoric synthpop of Drive, it did have a stunning soundtrack of its own. Climactic scenes were heightened with abrasive industrial music, while the more introspective segments were complemented by wonderful ambient tracks from Cliff Martinez (who seems to be drawn to neon-lit films like this, Drive, and Spring Breakers).

Perhaps my favourite part of the film was the themes, imagery, and allusions. Because the plot and characters are so vague and simple, there is a lot of room for analysis. Taken at face value, the film won't satisfy you. Most of the appeal in this film is trying to figure out what exactly the characters and actions represent.


Was the film as good as Drive? Well, like I said, they are two entirely different films. I really felt that Refn had more to say with this one, but I cannot in good conscience call it better than Drive. Drive is one of the most exciting, rewatchable, and satisfying films in recent memory. Only God Forgives is an entirely different animal. It's more experimental, it's more philosophical, and it's a much more difficult film. It has some flaws, I wish that there had been a couple more plot points to make it seem less bare. As I said before, it's a 45-minute film stretched into 89 minutes. I also didn't feel quite the same level of confidence in Refn's vision as I did with Drive and Bronson. Some harsh dialogue did feel gratuitous, though I suppose it added to the Lynchian weirdness of it all. It was a good film, and one I look forward to watching again. That said, I understand the hatred for it, and I do hope that Refn takes a break from his silent, saturated style in his next film. 7.5/10

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Before Midnight
It was my second time seeing the film, and I definitely appreciated it even more on this viewing. I'm not going to bother with a synopsis, since you won't get it if you haven't seen the two preceding movies. While I'll probably always prefer the first one, this film is probably the most polished, confident, self-aware, and mature film of the Before trilogy. I didn't care for Before Sunset as much, it was too much of a downer and didn't have the magic of the first one. This film had a much better balance of grown-up themes with the youthful, blissful beauty that I loved from the first one. It's the most cinematic of the three movies, and it benefits from it. The score was lovely, the locales and sights were explored without being gratuitous, and the chemistry between the leads was better than ever. It's one of the best films of the year, and if you loved the other two, there's no way you won't love this one. 9/10

I kind of disagree with you both. SG, I thought it was an entertaining 90 minutes but I really did not love it or hate it. I simply liked it. As for art films, I think Valhalla Rising is better than Only God Forgives but I found neither of them pretentious. Both rely on atmosphere and Refn has pretty much mastered atmosphere building.

Alfred, I think that what the characters and actions represent are right there on the surface, in plain view. I think the appeal is just watching the extremely simple story unfold. And the action scenes that are always brutal and/or gruesome.

Overall, I felt the minimal plot and story was rectified with an incredibly good atmosphere and I wasn't bored by the film at any point. I didn't find it to be particularly cerebral or "Lynchian" (Lynch uses a lot of story and plot, however much he distorts and and obscures them).

Kristin Scott Thomas really steals every scene that she's in, although maybe that's because she's the only one who has lines made of multiple entire sentences. Gosling's acting was as at least as minimal as everything else and it kind of validates this parody:

Maybe it was because I mostly spoiled the major plot points for myself by reading post-Cannes discussion, but I really was not watching this film for the plot. I was watching it to see how the plot fit together, how the pacing was, how the tension was built, symbolism, etc. And of course to admire the film's technical aspects.

Where I find the film "Lynchian" is mostly in how Refn messed with tone and realism. A film like Blue Velvet begins with the tone of a normal crime thriller, before introducing some of its more bizarre characters and going full-on Lynch. This film had the same occasional tonal irregularities that only served to make the film more bizarre as it went along.

I can't really argue with any of that. Although, I do think that Lynch is both more plot driven and weirder than Refn.
Also, I wasn't bashing Gosling's general acting. I could do without the fake toughguy accent (that he uses in ALL of his films and, apparently, in real life) but I can't really criticize what he did in this movie because it was what the part called for. The guy's obviously got dynamic talent as seen here:

That Gosling acting range video was priceless.

I loved this movie too, as I have loved the two previous movies. Great acting, great mood, and totally believable.

I know I said I wasn't expecting anything other than this, but I think I underestimated that a bit just because it had a pretty well-respected director. The dialogue/cheesiness/acting in this was pretty ridiculous. I guess that may have been the point to a degree, but still... that was basically a blend of all the worst aspects of War of the Worlds, Independence Day and Top Gun.

The action and special effects were definitely great but I just don't think I can say I enjoyed a film where a good chunk of the movie (AKA any part that doesn't involve a fight) was just boring trash, especially when it took up over an hour straight right in the middle of the movie. If it had a better balance of action mixed with this kind of stuff I could have forgiven it, but dividing it up the way they did just didn't work for me. I also thought the first two battle sequences were much more entertaining than the last one, for whatever that's worth.

I've seen a lot of people say this is what a movie like Transformers would be if it had a good director, but I just don't understand that sentiment. This is another one you can lump into that category. If you slap Michael Bay's name on this, everyone would be saying the same thing.

Fudge you! Independence Day was the pinnacle of so-bad-it's-good action movies. I can still probably quote about half the one-liners from that movie.

You ready for the sequel that they are currently working on?!!!