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Old 10-01-2021, 04:08 PM   #811 (permalink)
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Default The Return of gmusicbrowser!

Such an exciting day! I happened to visit omgubuntu.co.uk and a headline caught my eye from December of 2020 which read, “GMusicBrowser is Back From the Dead with New GTK3 Port.”

This was thrilling news, as gmusicbrowser was my favorite large music library manager for Linux back in 2015. Back then I’d published an article after discovering the application and had described it as, “a robust utility with impressive handling for libraries in excess of 100,000 tracks, and best of all – a fully-customizable interface.” Sadly, development of the application halted several years ago and the Ubuntu Software Center retired it in favor of the simpler but powerful Clementine application. If you’re curious, Slant.co published a detailed side-by-side comparison of the two applications here.

Searching the web for more news on the release I found an article from March 1, 2021 on Linux Uprising titled, “gmusicbrowser Music Player Sees First Release In More Than 5 Years.”

While not available from the Software Center, installation is manual but fairly simple for Ubuntu users by downloading the .deb package at gmusicbrowser - download.

This however was only half the battle for me, as I had painstakingly crafted a custom application layout for gmusicbrowser to let me browse my library by folder structure and by multiple points of metadata all at once. I dove into my archived documentation and was elated to find that I’d taken detailed notes on how to install the custom layout I loved step by step.

From my notes, I saw that the layout mine was based upon was titled “laiteAraknoid2” - one of several layouts included in a package formerly available from vsido.org. Sadly, the download link from 2015 was long-since broken, but ever-the-archivist, I found that I had downloaded and saved the package to my local file system along with an instruction guide I'd written on how to restore it!

I followed my six-year-old instructions to the letter, and was overjoyed when the next launch of gmusicbrowser instantly restored my custom tweaked version of the layout along with all my folder configuration and user settings! The entire process took fewer than five minutes! All that was left to do was rescan the library for all the content I’d added in subsequent years. Three hours and 45 minutes later I was all synced up and ready to go.

Here is a snapshot of the layout with one of my primary audio folders selected. I have a little tidying up to do with some of the metadata but that’s an advantage of this layout scheme, as I can quickly identify and correct stray tags. This will empower me to explore my library anew! Such a great way to begin the fall season!

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Old 11-13-2021, 07:23 AM   #812 (permalink)
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Default "This is a journey into sound."

"This is a journey into sound."

Just dropping in for a quick collection update - My holy trinity of 1987. The two singles were featured prominently on mash-up culture mixes and retrospective surveys of early hip hop / dance music. The full-length LP is the rare debut album by The KLF, (Kings of the Low Frequencies / Kopyright Liberation Front), then performing as The Justified Ancients Of Mu Mu, and would be impossible to release in today's litigious music market.

They faced similar challenges in August of 1987, when The Mechanical-Copyright Protection Society ordered The JAMs to recall and destroy all unsold copies of the record. The JAMs made a bonfire in the Swedish countryside and burnt the LPs.

Pictured:

- Eric B. & Rakim ‎– "Paid In Full (Seven Minutes Of Madness - The Coldcut Remix)"
- The Justified Ancients Of Mu Mu (The KLF) ‎– 1987 What The F***'s Going On?
- Bomb The Bass ‎– "Beat Dis (Extended Dis)"

Interestingly, both "Beat Dis" and "Seven Minutes" contain samples of "Train Sequence" by Geoffrey Sumner (1958) and "Pump That Bass" by Original Concept (1986). And all three of these releases were first issued in 1987. Furthermore, M | A | R | R | S' hit, "Pump Up The Volume," also released in '87, shares its namesake titular sample with the Coldcut "Seven Minutes" mix, each lifting the spoken-word vocal from Eric B. and Rakim's "I Know You Got Soul" from their debut Paid In Full LP released earlier that same year. Whosampled dot com cites no fewer than 437 songs that went on to sample the classic hip hop track.

The Coldcut Remix is filed under Hip-Hop, "Beat Dis" is House/Breaks, and 1987 is Leftfield/Plunderphonics. Each is a milestone in the history of DJ culture.

#keepthisfrequencyclear

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You are quite simply one of the most unique individuals I've ever met in my 680+ months living on this orb.
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Originally Posted by Trollheart View Post
You are to all of us what Betelgeuse is to the sun in terms of musical diversity.
Quote:
Originally Posted by Exo_ View Post
You sir are a true character. I love it.
Quote:
Originally Posted by The Batlord View Post
You, sir, are a nerd's nerd.
Quote:
Originally Posted by Marie Monday View Post
Just chiming in to declare that your posts are a source of life and wholesomeness
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Old Yesterday, 08:22 AM   #813 (permalink)
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Default Thoughts on My Research to Close Out the Year



“If you copy from one author, it’s plagiarism, but if you copy from many, it’s research.” -- Wilson Mizner

Friends, I've been working on writing a book, and I'd like your insight. For the last several years, I've been compiling and constructing a vast library of materials on a range of interrelated subjects. These include but are not limited to the following:

Privacy Rights, Copyright Reform, Copyleft, Open-Source, Creative Commons, Consumer Culture, Propaganda, Social Engineering, Gift Economics, various forms of Anarchism, Digital Abundance, Kopimism, the Access to Knowledge Movement, Mutual Aid, the Moral Economy, Antimarketism, the Free Culture Movement, Open Culture and Remix Culture, the Open Content Project, Free Music Philosophy, File-Sharing (a consumer gift system), Post-scarcity Economics / Digital Abundance, the Information Society / Knowledge Economy, Digital Rights, Crypto-Anarchism / Cypherpunks, as well as Mass-Surveillance and its Impacts on Journalism.

I've constructed a library of several hundred books, essays, documentary films, articles, periodicals, and other resources, and then organized the content with a network of spreadsheets, folder systems, and a notebook of rich-formatted documents linking directly to all content cited in my archive. My organizational strategies have proven useful to aid me in navigating the material.

I've employed a master spreadsheet to track which content I have in physical or digital formats, which ones I've consumed and which I have yet to explore, and I've used Google Books to dynamically extract critical content I've highlighted from those texts into a series of documents with cited excerpts for future reference. I endeavored to secure digital counterparts for all physical materials where available to facilitate content extraction and to automate progress tracking.

This research is supplemental to the work I perform managing my own media library. During the pandemic I produced a media workbook on the cloud comprising over 200 spreadsheets dynamically organizing over 26,000 of my favorite albums and published a year-end survey of metrics from 13,000 albums representing the top 1% of the artists in my archive. Perhaps I can incorporate some of those infographics and analytics into related areas of my research on the aforementioned topics and themes.

Early on in the project, I found myself disheartened that the majority of the published material on these subjects trailed off after the first decade of the new millennium, with little content examining the critical new era where streaming digital media has become the norm. Perhaps to that end I might be the one to write a book to fill that void. I just fear that my efforts as a cultural custodian are rendered moot in this age of on-demand content and that there will be no one left with any interest in my work. There are also the socio-political aspects of the subject matter which might be unwise to publish and associate with my name, so I’ve considered employing a nom de plume. I’d appreciate the insight and perspectives of my readers regarding these considerations. Is this content still relevant? Is it safe? Is there an audience who might find my work to be of merit?

I'll continue to curate and refine my notes on these materials in the years ahead. It'll be an engaging and enlightening journey.
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Originally Posted by Chula Vista View Post
You are quite simply one of the most unique individuals I've ever met in my 680+ months living on this orb.
Quote:
Originally Posted by Trollheart View Post
You are to all of us what Betelgeuse is to the sun in terms of musical diversity.
Quote:
Originally Posted by Exo_ View Post
You sir are a true character. I love it.
Quote:
Originally Posted by The Batlord View Post
You, sir, are a nerd's nerd.
Quote:
Originally Posted by Marie Monday View Post
Just chiming in to declare that your posts are a source of life and wholesomeness
The Innerspace Connection | Essential Recordings | Top Archives | Hot 100 Albums | Top 550 Artists
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