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On January 5th, a mysterious poster appeared in London, the same day as its website, K2 PLANT HIRE Ltd Poster One.



The poster announced the end of the 23-year hiatus, (the number 23 having played a critical role in many of the KLF's works as they relate to the 23-enigma of the Illuminati). This postponement of the K-Foundation was ceremoniously implemented by the duo signing an infamous contract in gold pen across the windscreen of a Nissan Bluebird November 5th, 1995 and the deal was sealed with the act of pushing the Bluebird off a 120-foot cliff at Cape Wrath. 23 years was intended to 'provide opportunity of sufficient length for an accurate and appropriately executed response to their burning of a million quid'.

Further investigation into this exciting new announcement led me to an even more mysterious YouTube account, user WGU 18G, which has been posting cryptic new KLF content since January 1st, when they uploaded a 46-minute video puzzle dubbed, "KLF 01 01 2017 WTF FOUND VHS." Tiny video fragments were posted in the first 23 days of 2017, each a mash up of pop culture film footage recut to speak words like, "KLF" and "Justified Ancients" and "MuMu". Mixed in are footage of Robert Anton Wilson, the Kennedy assassination, other Illuminati symbology, BBC educational film reels, and fraction-of-a-second long superimposed elements intended to reveal pieces of the puzzle... or to lead the viewer entirely off the scent.

And on January 7th, Instagram user @followersofmu uploaded this addition to the mystery:



And today - the 23rd of January brings all of this news serendipitously to my attention on the very day my copy of my literary white whale - The KLF's THE MANUAL arrived at my door from Germany.



A week ago I decided that it would be foolish to let any more months pass, permitting the few remaining copies of this massive text listed for sale to be snatched up by other collectors. I quickly purchased a copy of the second (and final) edition but was disappointed to see that the giant oversize MANUAL had been reduced to a minute handbook for its reprint and that the author and title were changed to a less-impressive re-wording, (see below).



Within moments, I located a first edition copy in outstanding condition for only $30 more, which made my decision a no-brainer. In minutes, I'd canceled my order and secured an original for my library.

For those unfamiliar with THE MANUAL, it was published in 1988 and dubbed, "THE MAJESTIC INSIDE STORY OF HOW TO MANIPULATE THE POP MUSIC WORLD." The book instructs the reader to quit whatever band they'll in, sell all their gear, buy the top pop singles of the day, sample them, have a number 1 hit, and be forgotten by lunchtime. The book promises that if you've followed their instructions and don't make it to number one, that they'll refund your purchase.

The first printing of the book is credited to The Timelords, as Cauty and Drummond had just successfully implemented their guide and made it to number one under that moniker with the ridiculous hit, "Doctorin' the Tardis." And they were right - just as THE MANUAL instructs, the track liberally samples the theme music from Doctor Who, Gary Glitter's "Rock and Roll (Part Two)", sections from "Blockbuster!" by Sweet and "Let's Get Together Tonite" by Steve Walsh, and neither member of the duo played a single note on the track. Critics hated it. The song was ****e. But it made it to number one.

In the years since the abandonment of the K Foundation, Drummond and Cauty have done some fantastic work. Bill Drummond created The 17 and published a book of its collected writings. Graffiti appeared in Derby with messages like this:



And soon thereafter, a series of posters were created to convey the concept of The 17.



Meanwhile, Cauty continued his anarchistic art, most recently with a touring art installation dubbed The Aftermath Dislocation Principle (ADP) Riot Tour. ADP is a massive graffiti-covered shipping container with small lenses positioned around its perimeter which grant observers a glimpse into a post-riot dystopian miniature city contained within. Spectators can see flashing lights, police blockades, and the remains of a city torn asunder accompanied by the faint sound of police radio signals from inside the container. The installation toured in from April to December of 2016 and was featured as part of Banksy’s Dismaland. ADP Riot was a larger scale implementation of the theme Cauty explored in 2011 with A Riot in a Jam Jar.



But all of this - the zenarchistic mythos of the KLF, the Manual, the burning of a million pounds at Jura, their art and music... and 23 years of contractual silence... has led to their return in 2017.

Time is running in.



UPDATE 01-24-17: Information from some additional sources appear to dispell the cryptic rumours outlined above. First, on January 5th, The Guardian published an article titled, The KLF are back (sort of) – and it’s exactly what 2017 needs containing the following statement:

Cauty tweeted confirmation of this new material shortly thereafter.

And on 01-17-17, KLF.de posted the following notice:

So for now, we're just Waiting.

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