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02-12-2022, 08:15 AM | #27 (permalink) | ||||||||
Music Addict
Join Date: Feb 2015
Location: The Organized Mind
Posts: 2,044
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Artist Showcase: Terminus Void
I am honored to have the unique privilege of showcasing an emerging and impactful ambient artist operating under the moniker, Terminus Void, who is about to release his second full-length space music album, Origins Unknown. Origins follows the composer’s self-released debut album, Interstellar from 2021 issued in the middle of the global pandemic. The album’s transportive interstellar journey serves as a brilliant offering of experiential escapism to transcend the anxieties and troubles of the modern world.
From the composer’s official one-sheet press release: Quote:
After only a few communications with Smith, it was instantly apparent that he is no dilettante by any stretch of the imagination. Smith expertly incorporates his penchant for the sciences into his musical efforts. When detailing the inspiration for Origins Unknown, he explained that the title track was inspired from Louis & Bebe Barron's pioneering works featured in the 1956 film, Forbidden Planet. On this track, Smith incorporated into the baseline modified audible wave instrument recordings from the Juno spacecraft as it passed through the magnetosphere of the Jovian moon, Ganymede on June 7, 2021. Smith’s passions for science and space exploration have been lifelong. Over twenty years ago, he constructed a radio telescope from a satellite TV antenna, microwave amplifier and a HAM radio receiver. This fact provides a glimpse of the artist’s technical proficiency and celestial-focused scientific intellect, and reveals that the idea to process these auditory frequencies into music had been there for some time. He was kind enough to expound his compositional methodology thusly: Quote:
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I should call attention to a difference in the mixing of the material offered on the official Terminus Void YouTube channel and the content on his final albums. Smith explains that, as an incentive to his YouTube subscribers, he uses the channel to publish pre- album release tracks and that they are published as they are composed and recorded. He notes that these are non-mastered tracks and in some instances they are different from the final production in terms of length or tonality. For the truest Terminus Void experience, listeners should seek out and purchase the final mixes. Check out the pre-mastered version of the title track from Terminus Void’s debut LP, Interstellar below. I’ll offer a brief examination of Interstellar - “Interstellar” is the title track and lead single for the album. Beatless, though grounded with a few anchoring bass tones, we embark into the inky-black depths of space. There is an elegant timelessness to the piece, just as the absence of day and night in an extraterrestrial journey removes our perception of its passage. The work is brimming with anticipatory excitement of the voyage that lies ahead. It is a perfectly-fitting opener to the album. This serves as an exquisite introductory selection to the artist’s oeuvre. “Distant World” opens with haunting spectral dissonant tonalities. The sparsely-placed heavenly and alienesque timbres suggest that this may serve as a science-fiction anthem for a yet-unnamed cinematic masterpiece. We are entering a world unknown. “Arrival Home” features majestically suspended chords and a lone synthesized disembodied vocal. Its seraphic and gossamer quality truly marks our celestial homecoming. "Beyond Static Tolerance" introduces a fixed low-frequency sequencer pattern beneath the drifting fleeting choral tones occupying the upper register of the spectrum. The track evokes feelings of isolation and suspense as the traveler awaits the climax of their cosmic journey. Expertly-mixed NASA communication samples appear toward the end of selection enhancing the experience. “Darkness” is dark ambient music at its most superlative. And clocking in at over eleven minutes as the album’s longest track, it rewards careful attention in your finest circumaural headphones. At times I wondered whether futurist role-players might find this album useful to enhance the atmosphere during their gaming sessions. “Darkness” especially might lend itself to such an effort. The best ambient music functions well in both dedicated conscious and background listening, and “Darkness” works fantastically in an array of listening environments and conditions. “Nothing In The Way” returns the listener to a rhythmic territory with a classic synthesizer pattern and soaring minimalistic melodies. The deep-voiced narration element dramatically complements the suspenseful quality of Interstellar. Whether intended to inspire feelings of weightlessness or timelessness, the theme of space travel is masterfully executed here and throughout the album. "Lost In Time" is steady and rhythmic, but maintains the empyrean thematics employed consistently in all of Smith’s work. The track conveys a gaze toward the heavens, inviting the listener one final time to leave terra firma behind. “Distant World - (Epilog Mix)” closes Interstellar. The alien landscapes are carved and charted to remain in our memory long after the album session concludes. The traveler’s odyssey is complete. Terminus Void’s 2021 debut album, Interstellar There are countless metaphors for the spacetime journeys offered to us by ambient space music artists like those showcased on Hearts of Space, and all of them are actively employed in each weekly segment of the show, now at over 1,300 episodes and counting. It is so exciting to discover a new musician who himself professes to draw inspiration from those very transmissions, and who successfully crafts soundworlds on par with the greatest veterans of the genre. What Terminus Void succeeds at accomplishing with his transportive music is to highlight the certitude that these impressioned interstellar journeys are, in truth, journeys within. As I said, I encouraged Smith to send his work to Stephen Hill, and hopefully he’ll find new fellow sonic travelers through playback on a future transmission of the program. On February 10, 2022, Smith posted a pre-mastered demo of the title track from his upcoming second album, Origins Unknown to YouTube. It is a superb specimen of dark ambient space music, richly-organic, rewardingly nuanced, and introduces the listener to a vast and intricate world of cosmic exploration. Of the track, YouTuber, Paradigm writes: Quote:
What I found most captivating about Terminus Void's ambient style is its balance of classical sophistication and cinematic intrigue. It's that property which inspires me to return to these songs again and again. I was absolutely delighted to experience this music. The compositions are magnificently meditative, and certainly reward careful headphone listening. Terminus Void is otherworldly cosmic space music, and it's the subtle and slowly-unfolding properties which make the works so enjoyable. These are intimately ethereal, transcendent, and heavenly soundscapes. Highly recommended! Terminus Void’s music is now available on iTunes, Apple Music, Spotify, Bandcamp, Amazon and other online distributors. Or visit https://terminusvoid.com/. I’ll close with a personal comment from Smith, who concluded a letter with a touching statement about my work as an archivist. I believe it sheds some fantastic light on the mark of his character. Smith remarked: Quote:
Watch https://terminusvoid.com for an official announcement of the release of Origins Unknown slated for release this April.
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