This is the tracklisting for Garage, Inc:
Disc one

These tracks were recorded in September-October 1998 for the Garage Inc. album.# Title Writer(s) Original artist Length
1. "Free Speech for the Dumb" Garry Maloney, Kevin "Cal" Morris, Tony "Bones" Roberts, Roy "Rainy" Wainwright Discharge (1982) 2:36
2. "It's Electric" Sean Harris, Brian Tatler Diamond Head (1980) 3:34
3. "Sabbra Cadabra" (actually a medley of Black Sabbath's "Sabbra Cadabra" and "A National Acrobat") Ozzy Osbourne, Tony Iommi, Geezer Butler, Bill Ward Black Sabbath (1973) 6:20
4. "Turn the Page" Bob Seger Bob Seger (1973) 6:06
5. "Die, Die My Darling" Glenn Danzig Misfits (1984) 2:29
6. "Loverman" Nick Cave Nick Cave and the Bad Seeds (1994) 7:53
7. "Mercyful Fate" (comprises the songs "Evil", "Curse of the Pharaohs", "Satan's Fall", "A Corpse Without a Soul", and "Into the Coven") King Diamond, Hank Shermann Mercyful Fate (1982) 11:12
8. "Astronomy" Joe Bouchard, Albert Bouchard, Sandy Pearlman Blue Öyster Cult (1974) 6:38
9. "Whiskey in the Jar" (traditional) Cover of Thin Lizzy (version, 1972)[1] 5:05
10. "Tuesday's Gone" (recorded in 1997 as Metallica hosted a radio program out of San Jose, CA (KSJO)) Ronnie Van Zant, Gary Rossington, Allen Collins Lynyrd Skynyrd (1973) 9:06
11. "The More I See" (contains a short segment of the Robin Trower song "Bridge of Sighs", from the album of the same name) Maloney, Morris, Roberts, Wainwright Discharge (1984) 4:49


[edit]
Disc two

These tracks are a collection of B-sides from artists Metallica were inspired by throughout the early years of the band.The $5.98 E.P.: Garage Days Re-Revisited (1987)
# Title Writer(s) Original artist Length
1. "Helpless" Harris, Tatler Diamond Head (1980) 6:38
2. "The Small Hours" John Mortimer, John McCullim, Bryan Bartley, Ron Levine Holocaust (1983) 6:43
3. "The Wait" Jaz Coleman, Kevin "Geordie" Walker, Martin "Youth" Glover, Paul Ferguson Killing Joke (1980) 4:55
4. "Crash Course in Brain Surgery" Burke Shelley, Tony Bourge, Ray Phillips Budgie (1971) 3:10
5. "Last Caress"/"Green Hell" (contains a mock parody of Iron Maiden's song "Run to the Hills" at the end. Iron Maiden responded to this on a B-side cover of the Montrose song entitled "Space Station No. 5") Danzig Misfits (1980/1983) 3:30
Garage Days Revisited (1984)
# Title Writer(s) Original artist Length
6. "Am I Evil?" Harris, Tatler Diamond Head (1980) 7:50
7. "Blitzkrieg" Ian Jones, Jim Sirotto, Brian Ross Blitzkrieg (1981) 3:37
B-Sides & One-Offs (1988–1991)
# Title Writer(s) Original artist Length
8. "Breadfan" Bourge, Phillips, Shelley Budgie (1973) 5:41
9. "The Prince" Harris, Tatler Diamond Head (1980) 4:26
10. "Stone Cold Crazy" Mercury, May, Taylor, Deacon Queen (1974) 2:19
11. "So What?" Nick "Animal" Kulmer, Chris "Magoo" Exall, Clive "Winston" Blake Anti-Nowhere League (1981) 3:09
12. "Killing Time" Vivian Campbell, Trevor Fleming, Raymond Haller, David Bates Sweet Savage (1981) 3:04
Motörheadache (1995)
# Title Writer(s) Original artist Length
13. "Overkill" Eddie Clarke, Ian Kilmister, Phil Taylor Motörhead (1979) 4:05
14. "Damage Case" Clarke, Kilmister, Taylor, Mick Farren Motörhead (1979) 3:40
15. "Stone Dead Forever" Clarke, Kilmister, Taylor Motörhead (1979) 4:52
16. "Too Late Too Late" Clarke, Kilmister, Taylor Motörhead (1979) 3:12

Maybe Mr. Janzoon fancies a listen ;) Just PM.

Most of the second disc is good. I especially like Breadfan, So What, Am I Evil, Damage Case and Helpless.

Theres a few erm...."interesting" covers on the first disc but Turn The Page is beautiful.

Breadfan FTW

i guess i would say a 'sell out' is any band that their sound is driven by what the mainstream is asking for. i see too many bands that will come out with a great debut album or at least an album with potential and then turn around and their second album sounds like every other nickelback wannabe band. also any band driven by money and profit is a sell out. yes it is a job but that doesn't mean you have to play lame music just so you can be a millionaire. i also think that you can't really be a famous band signed to a big label without technically be a sellout to some degree. it's almost impossible.

metallica will continue to sell anything they put out but they have run their course. to be honest i'd rather listen to the new trivium album, a band definitely influenced by metallica.

So, we agree then?

The second half of Garage, Inc especially the Garage Days tracks had a massive impact on me as a kid and they still get a blast out once in a while. Helpless and The Small Hours especially. I have the classic Diamond Head album 'Lightning To The Nations' which had a massive influence on Metallica.

I thought the Sabbath and Thin Lizzy covers on the 1st disc were pretty good too.

All of these covers are less than a third as good as the originals. What an awful 2 discs to have to sit through.

Who's forcing you like?

i got into metal because of the tallica boys. but you can't deny that some of their music sucks weenie. as far as the napster crap, who gives.

I have to confess to not hearing any of the cover songs discussed here - but I will add that in my observations, cover albums rarely have tracks that sound as good as, or even better than the originals - there's a reason why we savor and favor the original versions - we heard them first, they became precious to us, and they are locked into our memories, along with significant ocassions, memories and the like...


So when someone comes along and changes it all - we naturally don't feel as if it is as good...

Best post ever.

Nobody cares, dude.

I know, I stopped caring about 4 years ago when this thread was made...dude.

Someone lock this shit up already..:rolleyes:

The mod team thought you needed the humbling.

=P

i didn't want to read all the pages but i read the first 3.

it really wasn't neccessary. anyone who puts zach delarocha up as an example for anything other than a pretender has little/no knowledge of what they speak.

why is this thread relevant again?

People obviously still hate metallica.

And for equally logical reasons.

Well, yeah, but only because of what they were doing over two decades ago. It's hard to just...lose one's "legendary" status, no matter how many crap albums you put out afterwards - no matter how many times you reinforce the notion that you're only still in it for the money. I think for Metallica to no longer be considered "legends" they'd have to be caught like...raping children or something.

To some, that sort of thing is relative from person to person.

Even that would be the best thing they've done in years.

So are KISS, but that doesn't make them any less shitty.

I hearrd that.

Nice version: umm they're overated
Not so nice version: umm they're overated and their music is crap

Thats the meanest thing you have to say about metallica? I could think if some stuff way more 'not so nice' than that.

i didn't say "mean" i said "Not So Nice"
and that was the most simple truthful explination

:laughing::laughing:

Oh well I appreciate you humility for not making any Metallica fans cry.

"You've pulled the trigger on my love gun" is one of the most epic lyrics in the history of music. I don't care what anybody says.

It cetainly is touching.

Which by the way is made even more epic because of the note he hits...


You pulled the trigger of myyyyyyyyyyyyyyyyyyyy love guuuuuuun, a-love gaaaaaaaaaaaaan, lo-uh-uhve guuuu-uhnnnnn.

Fully agree with Wayfarer! Let people talk everything they want about this but we love "You've pulled the trigger on my love gun" and dote!

dude this is awesome.
you would think that "metal gods" would respect a corporation that doesn't hand everything to "the man", but instead they're trying to fight them.

What the hell are you talking about exactly?

Napster.

Well in that case yeah definately. I agree.

DAMN YOU SIR.

Anyway, Kill Em All is the bee's knees, you guys are

WHACK.

It's not the fact that they became to successful, it's the fact that they aren't the same band with the same kill em' all attitude that they were when they made it. They used the hardcore metalhead audience to get recognized, then turned their back on them for a more mainstream audience and more money. They also threw a hissy fit because people were downloading their music from Napster. If you were a 12 year old computer nerd like me when napster first hit it big, you were downloading music among the first generation of online file sharing and using it as a means to discover new music. I discovered Metallica that way, and was a huge fan. When they sued napster I was absolutely embarrassed to call myself a fan, I still am. This band is a disgrace as human induviduals, four d-bags that are somehow able to combine their douchebagery and become something more than any one douche could eveer accomplish alone. That's why I hate Metallica.

Sorry, dude. I gotta say that KISS are clown shoes.

However, I agree with you on Kill 'Em All, and not only for the fact that you used the term "bee's knees".

I can't hate Metallica. I used to love them. Master of Puppets is still the shit. Sure, they got lame after ...And Justice For All, but that's what happens when you team up with Bob Rock. You make a hit record that's palatable to the masses. Doesn't matter how much I think it sucks. It's not gonna change Metallica's minds.

But check this out

http://208.116.9.205/10/content/13878/1.jpg

They may of done that but u cant complain about their music, its amazing