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Sansa Stark 01-09-2010 04:46 PM

Tales of Beedle the Bard
 
I'm in a sharing mood, let me know what you think, I guess:

1.
If not today the willow speaks,
it’s tales to widows, speak,
a madness wondered,
branches over thee,
once we watch her,

here we find her,
all but sparkling sinew,
and praise, praise
would we

with this light on our brains made,
praise the dust as it lands,
pieces of each other,
but only harder to swallow.

Mother hands grip those eyes of old, we speak.
Laughter poured out of pitchers that never held
Grace, forward we may march to death of our
Selves, only watching for the next version

And these hands, we come together
To tear each other apart
but what do we do,
When we no longer bleed?
_____________________________________
2.

wipe of yesterday's makeup and
act like you
didn't hear what he said
These sober moments
they make me for
closer to death as it ever was
and I say, hands full
how can I know where I am going
if I don't know where I've been
on nights like this you
could slay a dragon, but
not walk the straight line.
When you laugh in the
direction of the wind
it comes back as sobbing
but it doesn't matter
sound can be recycled
under glass they come back on
wishes and second thoughts
you can bear witness
to this tangled mess I've
made of my life.
________________________
3.
Don't ask me about myself.

And insofar no one heeds this warning, and one day a background noise of a man asked me;
"What are your interests, what do you do?"
And the truth is:
I get up in the morning, I wonder if I should. I stretch myself into being and things that be. I think, and I don't know what I think, or what the sun will say.I don't believe in contrived goodness. I believe in being mean, I believe in telling everyone to **** off because they'll always be knocking at your door otherwise asking you to hold their hand on their walk off the next mountain but you know you'd go along but no, no I won't because I listen but I'm not hearing everything, I'm not a bowl or a basin. Oh, it's true as they say I'm sensitive and that my nerves are close to the surface of my skin. I am soft, and as those say, delicate, but I am infinite. I believe in love and force, because I won't watch death because I'm not afraid and sure they'll look at you and laugh when you see right, but you see right through them. I'm unwell, I fold myself inward trying to become small, so very small as life goes through me, but as I become small the worlds fall together, every star could fit in my hand. I sleep through days because the nights are alone, I don't feel this loneliness, and so this sets me apart from you, but I'm more than the I. I am the I, but I am also you. I stumble into funny things with strange plants with no names and I put my hands to the dirt and make them grow into flowers.
My arrogance is my salvation. I like to watch the lights and imagine other lights and other places and other people watching lights and cities full, and people and maps. I like songs that remind me of rain.
These are the things that no one knows.
___________________________________________
4.
I’m living in the middle of
The kitchen in an eighth
Of a night of
Smack and too many cigarettes
The laughing leech in love
Has come to eat his words
I contemplate this as
Mr. Pretentious spews that
I’m too good for him and
Miss Yes ma’am would rather not
Take sides of anything
And I say that’s fine
That no, really,
I’m okay.
(but I just make less of more more more)
And really, who knows me better
than my own bloodstream?
But at the moment
I want to make up for it
By weeping
And by begging
For something I didn’t really want
In the first place.
It seems to me that I
Am taking this in the wrong direction
When all I want to think about is
That maybe on a good day
Bukowski is my father
And my world just might
Be a single solitary atom
On someone’s a$$hole.

--------------

(yes, the last one was really written on heroin, when I was 15/16)

Arya Stark 01-15-2010 05:39 PM

I like your works.
The first one was definitely my favourite.
The one talking about yourself started off well but I lost interest.
Quote:

but I'm more than the I. I am the I, but I am also you
Is my favourite line.

OceanAndSilence 01-15-2010 08:42 PM

nice **** you drugged up gnome

Sansa Stark 01-15-2010 09:53 PM

Thank youuu and WHY AM I A GNOME

OceanAndSilence 01-16-2010 01:06 PM

you bound about with concrete glee and deign to ride on silver stallions, with upside crescents for eyes

Sansa Stark 01-17-2010 02:04 AM

you're lovely

Scissorman 01-17-2010 04:56 AM

it took some time to rad it all, but I think it's totally cool :)

DiSTANToblivion 01-17-2010 08:13 AM

Nice work, I'm loving the first one there :thumb:

VeggieLover 01-17-2010 12:34 PM

You are a writer after my own heart..... well not exactly, but you write in the style that I find enthralling. If you want to refine any of these, make sure to keep the chaotic stream of conciousness feel, but also try to make some of the wandering a bit more consice. Especially the piece about "you" is hard for people to read simply because there is so much fantasticness in there. By making only the very important things powerful, the piece itself becomes not only more powerful, but more likely to reach more people.

BillyShears 01-19-2010 06:25 PM

I love it. Specially 3 and 4. Just great stuff. Any music to it or is it poetry?

duga 02-05-2010 10:21 PM

i'm keepng this thread alive so you have to post something new soon.

good stuff...keep writing!

Sansa Stark 02-06-2010 09:26 PM

Thankssss! <3

heres a few more I guess:

twenty four hour count down to thirty
and maybe split, scratch for
everything, scratch forward,
little mistress of tomorrow,
please spend yourself wisely,
and common sense will pay your skill,
to decadence you were contained,
this ignorance, so well explained,
and following, is the vapors and
doom unto which you fall, and
no one can make you scream louder,
not like it goes beneath the skin, it's open
to no other, and spit becomes this,
if you weren't so evil you would know,
and all the songs
come out to saws, just to drift away
with the sounds, if I'm a sinner
it would go softer, but they're all deaf.
And I know by your singing and laughter,
you've been here too,
count your feet among mine.
So we laugh at each other,
caricatures of dignity between,
and the similarities mark up a tally,
so tall you can't ignore,
like skyscrapers, the wise are static too,
killing time is on the watch,
as clocks would say,
it's terrible
--------------------------------------------------
On to Venus of the high seas,
a wind will come back to me,
the window breaks its panes,
all is glitter on the glass,
talking on
endlessly, celebrations of effort,
shake its pains.
Gone, and on a song,
without wings,
flash.
Ice cut and
burn us,
the brutal and bizarre.
And the sun
will come out,
in only a few tomorrows.
And choose to follow through,
those nights of open pages
tall, pushing, falling.
----------------------------------------
And I know this number makes up for nothingbut I can pretend and your insides marr my skin, and the burn goes farther than anything
and this wave, this wave overcomes me, but watch me learn to swim in it, if anything to hold against the tide and all sworn in, as magnets seem to rust

and tho, so is far, then I could not reach out to you, no long armed son of a gun, not me, so I reach beneath, the dirt become, under the sky,I know your bones, even if I don't know mine, and I crawled on my belly just to watch you shine.

A lot happens in a night where I give you the wrong number and we know all about that touch, I don't want this and I never know how it starts.If you strap me to this city there is nothing that could save you.
-----------


This is probably going to embarass me in a bit.

Sansa Stark 02-07-2010 12:30 AM

bumpp

Arya Stark 02-07-2010 09:32 AM

Love.
I really do love your writing.

Sansa Stark 02-07-2010 11:04 PM

Aww :) thank you

storymilo 02-07-2010 11:39 PM

Paloma....

I like your writing, even though I'm too lazy and tired to read it all. Keep it up, and many other motivational phrases.

OceanAndSilence 02-08-2010 12:19 AM

you have any music to go with these, mistress?

Arya Stark 02-08-2010 05:30 AM

I want you to say THAT in your accent. o.o

t3hplatyz0rz 02-08-2010 07:14 AM

I'm not sure I like the way that you phrase your lines in the one which starts "On Venus of the high seas..." because it seems that you have ideas which are clearly single, complete, sentances, and yet you break them up. This makes me want to view fragments like "talking on" as if they are complete ideas, which they aren't.
On the other hand, virtually every modern poet I know breaks they're lines up similarly, and most of them know more than me. I think that breaking up lines like that can also give it a specific flow, but it really isn't that important.

On your next poem, you have the opposite thing going on. You group tons and tons of ideas into one line. This gives it an extremely rushed, frantic feeling. I like that a lot, but it is somewhat annoying that you've got so many ideas just lumped together like that.

Oh, and I'm assuming that, because your poems are so unclear, you are like my sister and you try to make poems that are like an abstract painting, without events, with little but concealed meaning, and which, above all, create an atmosphere.
Therefore, reviewing the content of the poems would be a waste of time.

Sansa Stark 02-11-2010 11:32 AM

Quote:

Originally Posted by OceanAndSilence (Post 823298)
you have any music to go with these, mistress?

Unfortunately no. One of my exes tried to put music to one of my older ones, and I was piiiiiiiiiiiiisssssssssssssssssssed

Quote:

Originally Posted by AwwSugar (Post 823342)
I want you to say THAT in your accent. o.o

x2

Quote:

Originally Posted by t3hplatyz0rz (Post 823366)

Oh, and I'm assuming that, because your poems are so unclear, you are like my sister and you try to make poems that are like an abstract painting, without events, with little but concealed meaning, and which, above all, create an atmosphere.
Therefore, reviewing the content of the poems would be a waste of time.

Wrong.

t3hplatyz0rz 02-11-2010 11:58 AM

Quote:

Originally Posted by Paloma (Post 824922)
Wrong.

Sorry about that. I just couldn't find very much concealed meaning in it, but I found a lot of atmosphere. So I assumed that is what you were going for. And I do know artists who go for that.

Sansa Stark 02-11-2010 12:35 PM

It's alright :) I was gonna give an explanation of their meanings but I got lazy and just said naw dude

OceanAndSilence 02-12-2010 05:51 AM

screw explaining the meanings for other people yo

DiSTANToblivion 02-12-2010 05:56 AM

Never tire of reading something new Paloma. The style that you write, I'm liking that a lot.

Sansa Stark 02-16-2010 12:49 PM

BLEHHHHHHHHHHH!


a few:


simple nights spend
in the currency of terror,
and I cling to my bones and skin,
all courtesy belongs to error,
I can't seem to fit,
although I fold this hand.
I will make me over,
and all glory be,
these chemicals pick up where I belong,
the magnets kiss their feet.
Modelling this skeleton,
I find worlds through bone,
words are home.
I can see the appeal in reaching hands
but I don't stop for anyone,
not anymore, as this road
can only lead to your door.
fickle fingers make me drown faster,
faster still

----------------------------------

Bone atop bone
Those piles of bones of
all of you I leave behind
I build the ladder to the sky
but I'll settle with the clouds
if only to dance on spines
of the flocks below
And the blood stuck on my fingers
the purest parts of most
the medium to paint a free life
from there on forward is the canvas
The mouth makes room for the teeth
this woman has made flesh her feast.
-----------------------------------
The heart repeats the sounds
come home, come home
and empty lungs
no scream escapes
for the sake of hands
the heart, in search for words
once was common find.
Scissors talk like knives
and here, I lose my wings.
a gravity in silence
And the speak of pretty collections
the galleries of love, of everyone
and like a knife in the belly
repeat the sounds
come home, come home.
---------------------------
he’ll be boring in the morning
and I smile still everyday
and just because it goes on
I do too.


But at night I dream of the sails
to make use of days of wind
I spread my hands under the sea
taking salt to cleanse my heart


All I wanted was a crown of daisies
a field for me and you
but when I wake up
I’ll buy some cigarettes
and sing those old songs
it gets me out of bed

Arya Stark 02-19-2010 12:29 PM

Quote:

simple nights spend
in the currency of terror,
and I cling to my bones and skin,
all courtesy belongs to error,
I can't seem to fit,
although I fold this hand.
I will make me over,
and all glory be,
these chemicals pick up where I belong,
the magnets kiss their feet.
Modelling this skeleton,
I find worlds through bone,
words are home.
I can see the appeal in reaching hands
but I don't stop for anyone,
not anymore, as this road
can only lead to your door.
fickle fingers make me drown faster,
faster still
This one is my favourite of the ones you posted.
I like the way you wrote it.
I like the vocabulary you used.

Sansa Stark 02-19-2010 12:41 PM

<3

Arya Stark 02-19-2010 12:45 PM

I ask everybody, not to be a bitch, but did you make it lowercase on purpose?
I do that sometimes, I feel it adds a different feel to my poetry.

Sansa Stark 02-19-2010 12:55 PM

Sometimes I capitalise and sometimes I don't. I always do it on the I's, I think. I just find it more aesthetically pleasing, for the same reason I don't Americanise my spellings. I also just let it spill out basically, sometimes I edit later, other times not.

Arya Stark 02-19-2010 12:56 PM

Quote:

Originally Posted by Paloma (Post 828592)
Sometimes I capitalise and sometimes I don't. I always do it on the I's, I think. I just find it more aesthetically pleasing, for the same reason I don't Americanise my spellings. I also just let it spill out basically, sometimes I edit later, other times not.

Mhm, I like it.
I wrote a poem once where every other stanza was lowercase.

DiSTANToblivion 02-19-2010 08:25 PM

Quote:

Originally Posted by AwwSugar (Post 828584)
I ask everybody, not to be a bitch, but did you make it lowercase on purpose?
I do that sometimes, I feel it adds a different feel to my poetry.

Quote:

Originally Posted by Paloma (Post 828592)
Sometimes I capitalise and sometimes I don't. I always do it on the I's, I think. I just find it more aesthetically pleasing, for the same reason I don't Americanise my spellings. I also just let it spill out basically, sometimes I edit later, other times not.

That's very true, sometimes it adds a level of significance to a line that you may not have been able to achieve before. Having things read with a capital letter at the beginning of every line makes it read like every line is starting anew. It makes things flow better not doing that.

Sansa Stark 03-10-2010 11:01 AM

hai guise, I'm going to be published in a friend's zine, so here are some of the ones that are going to be in print:

-------------

#1
and everynight as mind arrives
always late and never on time
seeking words that I could find
to call my own, on home

and tomorrow I'll whistle our song
while the sunlight finds a new hunger
handing myself the axe
I bury the trees.

And I wear the cape of thorns
no needles should depart forever
to get steady from within

Consider these verse
my ride into the earth
as surely as the doves follow
the earth will take me in
swallow
whole.
---------------------------------------

#2

I'm up to my knees
asking if only please

and where is your heart
you killed to save?

bones never broken only
latching on to theirs.

The past was never fully swallowed
sick as we may be

the evil skin of your teeth
will not hide you here.

I would spit fires far
if I could stay behind the flame.

please make me suffer.

and when myself will split
never alone, forever

The galaxies move out of its way
------------------------------
#3

lighting
cigarettes off the stove
and thinking about
how charming we are

watching old television
and nevermind the seat cushions.
And all of this tattooed on your spine.

it's not enough to feel this
undcerneath my skin
it beats out like a rhythm
unseen before us we lie

down in its ashes
and cry for the doves
above and I say nothing
to do about all of those mongrels

who should lie before us
as it may be I don't
know what to see

forward as a lightbulb
burns out in the candlit past
I am screaming louder than
air is blowing through
the trees and wires may lean
to seem like it pulls this world
together and who knows where to go
on the sidewalk and move move
will you out the poison or
do I have to do this all over again?
I want it to look like it hurts.
I am carved clean.
------

Like I said these are just a few. She told me that she'd take as much as I was willing to give her but...that's just far too much. On the last two lines on the first one I'm iffy on them, so if anyone has any suggestions, they'd be much appreciated.

Sansa Stark 05-04-2010 07:55 PM

blah BLAH BLAH


1.

all other ways
you're just pretending
to end this
inhuman longing
and longer than
the longest days
and that which I
say, cannot be said
they fine me alive
but only inside
alone in my head
moving faster than it is
is harder than it seems
the words I want
the worlds i want
from other mouths
turn away ears
to a lonely marquee.
-----------------------------
2.
and i think to myself in static
can i send across waves,
my heart is jumping ship
and i cannot follow
any farther along here,
the modern language
of my telegraph heart, beating
send me back to you,
but nowhere new
i'm aware of all the spilling maps
alongside the midnight,
once mine was the moon,
onward onto octopus arms,
i have no patience for songs that
used to mean love,
the existence is betrayed everywhere,
I have no colors left to spare,
generosity is not mine,
my minds eye,
it leaves me terrified
when raw and heavy
it sinks,
dishing out the water
will not send it back floating
always the winner, with
forever spoils
never relying on faith
to fall out amongst the rest.
I question my companions
will we quest for many
or only few
I'll always know them many
nothing much to lose.
---------------------------------

3.

it knows by its zipper sleeves
it curves as branches
those red blooming trees

it only goes
where you can find the night
and no song will sing to me
with its sleeping sounds

collecting tapes of madness
rewind with the epidemic,
we spend our times in this frequency
do you experience this lust
do you sound out this frenzy
refrain from using my name
cause rolling out your teeth
it sounds forever the same

--------------------
4.
i await invitation
to unwrap these wounds
so carefully chosen
permission to remove

and my mind screams itself
to a foolish mouth
finding every door closed
and to watch them all fall

the vice itself holds no victory
it offers no souvenirs
watching clocks that never move
the hours have no sympathy

you'll watch the willow branch
it mocks you as you are

until we find no more
old uses for new faces
we'll cast this die between us

Astronomer 05-04-2010 09:55 PM

I love all of these Paloma, keep it up. I love the phrase 'octopus arms' in your last post.

Stone Birds 05-05-2010 06:45 AM

very nice lyrics paloma

Arya Stark 05-06-2010 09:12 AM

I love the way you write.
:D

Sansa Stark 05-06-2010 07:40 PM

thanks guys :D

Sansa Stark 05-11-2010 07:10 PM

I have been writing like mad.

-------------


And we are now leaving Bedford Falls.
I wonder if I'm the only
pillar of salt to be here.

All aboard the Titanic,
all signals to the seas.
I feel my own hands
tearing myself apart,
piece by piece
till nothing exists.

My sun fall out
amongst the stars,
here it all goes now afar.

I peel off my senses,
leaving only sounds,
to hear and to hope.

The blackened cavity
beats on in my chest,
when the rest says to you
that it's dead.

Don't fall,
don't weep,
don't start to sleep.

The burned out halo
will not rise with you
to guide your feet.

So Davinci,
will you rise from your grave,
to reassemble,
what only he could save?

--------------------------
I remember
what you thought you meant
I remember
although it's along
the lines of forgetting
that fever heat
forever remembering
never forgetting the beat

i hold the fears
to pretend to love
and it's sad to know
it's never their turn


the sickest feel
along the spread of wings
they'll never know the flight

they line in like
they're soldiers


and I hang my head
and hang up my hands
for the beautiful saint

how the words can fall
out of me like a tidal
like the wave
that becomes my head

the love was progress
and parallel lines

-----------

anything
stretch it between your lips
so often as it is anything
it seems to mean everything.

and on the end of desperation
it slips its teeth into you.


----------------


did I lie down for these
these arms mark
cunning fragility
hanging letters in my windows
just in case you could walk by.

and how do we make it
through these glass nights
through those
last night
well I'll say to you
that it's a tightrope

those fogs wrapped
in those nights



-------------------------------------
And no matter how high the fences
I bring them down
spun across the sadness of the city

the bells ring out a chorus
to picture them in singalong
and the miserable lie
that was miserable truth
only belonging to me.

and the pieces they
keep me up at night reassembling
and at the bells they do a dance
that never is quite in tune.


---------------------------

what words could spin a halo
they drop on hollow bones
fill them with eager marrow

and they crack like honeycombs

------------------------


blah blah break up poetry

Arya Stark 05-11-2010 10:16 PM

Quote:

did I lie down for these
these arms mark
cunning fragility
hanging letters in my windows
just in case you could walk by.

and how do we make it
through these glass nights
through those
last night
well I'll say to you
that it's a tightrope

those fogs wrapped
in those nights


-------------------------------------
And no matter how high the fences
I bring them down
spun across the sadness of the city

the bells ring out a chorus
to picture them in singalong
and the miserable lie
that was miserable truth
only belonging to me.

and the pieces they
keep me up at night reassembling
and at the bells they do a dance
that never is quite in tune.
These two are my favourite.
You wrote them different than the others.
Well done. [=
I can't be critical right now because I'm half asleep, but remind me to. Hahaha.

Sansa Stark 06-05-2010 01:41 AM

<3 ya babe

two new:


1.

and then my heart saw your monster
and left me long time blind and then it said
to me it would float back to my throat
I know the secret to it's success
is always staying a little bit behind
always being quick, always quick to hide

I could paint you forever in your hair shirt
the unfinished picture and blend it into dirt
I throw you into the sea, never be seen
and are you afraid to step away?

I tear its soul out, and ask it what love was.
I hear nothing in return, just the echo
of the torn apart pieces of me

The mirror of your hands had two sides
Janus of glass you see it become
and I say to you I'm not who you make me.

-----------------------------------------------


2.

such evident directions on how not to love
instruction on how to mend a heart
it screams on about it's convienience
on and on the drone it goes

but a saint forgives, you know
I can rewire the rules of love

I'll leave my debts unpaid
your currency is vulgar
and your polish is just a stain.


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