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I love The Clash. But I just want to post something this guy on ProgArchives wrote because I think it's a very good point.
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Is this the same Joe Strummer who had nothing to do with his parents from 1968 onwards and who barely saw them before that?
Actually if you want to spilt hairs his father was working class who worked his way up from nothing. :D |
i don't think it really matters where people come from.
Beefheart was a pampered spoiled brat, didn't really affect him that much. |
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Also notice how he feels the need to compare the musicianship of The Clash to Yes... right there I don't take him seriously. |
What he's saying is that a lot of the more elitist punk fans make a big deal about working class status of musicians. And one of the criticisms of prog was the upper class backgrounds of the musicians involved.
That of course is a retarded reason to praise or criticise any musician. He was just pointing out the irony and hypocrisy of it. I also think he has a point when it comes to technical skill. It seems you can do a bloated as f*ck double album or concept album, full of long instrumentals, crptic lyrics, sci fi themes and such. When clasically trained musicians with a lot of chops do it, it's pretentious. But when post punk and post rock bands did essentially the same kinda thing, only with primitive musicianship. Then it's somehow acceptable. Critics and Pitchforkians alike eat it up. You tell me how Public Image Ltd doing 10 minutes of atonal noise is any less pretentious than ELP doing toccatas on moog synthesizers. I could never figure that one out. |
Well it's because Public Image Ltd. is good and ELP is awful.
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You see, this is why I paint such a harsh stereotype of you guys.
I ask a perfectly valid question and you just say something inflamatory instead of giving a straight, serious answer. |
Well you know what I think.
I find fantasy & sci fi concepts boring & I hate neo classical rock music anyway. |
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