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#2 (permalink) | |
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Al Dente
Join Date: Mar 2005
Location: Texas
Posts: 4,847
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Quote:
EDIT: Kidding, but seriously, it's fitting that Coltrane's initials are JC. |
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#4 (permalink) | |
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Al Dente
Join Date: Mar 2005
Location: Texas
Posts: 4,847
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Quote:
Listen to the staccato melody in Sonny Rollins' St. Thomas, or Coltrane's 'Breathiness' in his solo on Miles' Flamenco Sketches, or even Coleman Hawkins' vibrato-- yeah, the other great Coleman saxophonist, on Body and Soul and you see that the devil really is in the details, the subtle ones, at least. |
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#5 (permalink) |
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Account Disabled
Join Date: Nov 2008
Posts: 4,538
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That's interesting point and I think on that level alot of people surpass Zorn. At the same time, his abrasive style is a selling point for me. I guess it
Could be compared on some level to the subtle nature of the classical Guitar to the shredding of an electric. |
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#10 (permalink) |
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Groupie
Join Date: Feb 2011
Posts: 33
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Really tough to pick. Hard to distinguish from personal favs to the ones that made the biggest impact. Def Louis & Duke for starters
__________________
Steel Drum Music by my band Steel Tropics |
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