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#63661 (permalink) |
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SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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That's because you're expecting it to make your balls tingle with the same feather that post-punk uses.
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Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
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#63662 (permalink) |
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one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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I know it’s not as well established as church and unassailable but balls tingle is also one of my trademark expressions
https://www.musicbanter.com/search.php?searchid=7116489 |
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#63663 (permalink) |
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SOPHIE FOREVER
Join Date: Aug 2011
Location: East of the Southern North American West
Posts: 35,541
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This is for you
__________________
Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. |
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#63666 (permalink) | |
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Zum Henker Defätist!!
Join Date: Jan 2011
Location: Beating GNR at DDR and keying Axl's new car
Posts: 48,199
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Dirt makes my balls tingle.
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#63667 (permalink) | |
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Guest
Posts: n/a
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Quote:
I love this song, this is about as close to free jazz as i can go But I remember hearing free jazz that sounded so random and disjointed that I found it boring and/or unpleasant |
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#63668 (permalink) | ||
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Certified H00d Classic
Join Date: Oct 2008
Location: Bernie Sanders's yacht
Posts: 6,129
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Free jazz is great but you need to get into it little by little. This cut was my first taste of that stuff back when I was around 14. The way it starts off chill and gradually brings in dissonant elements is interesting.
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Anteater's 21 Fav Albums Of 2020 Anteater's Daily Tune Roulette Quote:
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#63669 (permalink) |
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one-balled nipple jockey
Join Date: Dec 2010
Location: Dirty Souf Biatch
Posts: 22,006
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@ jwb
I know what you mean. Using more or less openness to chance is a technique used in free jazz (and other avant garde music) used mostly to navigate the important terrain of emotional ambiguity but Coltrane doesn’t do that. Even in his most chaotic material he’s still rearranging notes from a central theme or a scale or series of scales that relate to it. There’s always an organized pattern happening. That may be irrelevant if no one else can decipher it but over time the central themes can be identified by an astute listener no matter a far he went. His music is by far the most rewarding listening investment ever offered. |
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