SPY

Forced myself not to nap this afternoon and wanted some cheap laughs and this movie delivered big time. McCarthy's best roll to date. And Jason Stratham plays a hilarious over the top version of his normal movie character.

"Ready" the last film I saw yesterday.

Like actual brick and mortar locations? I haven't seen one of those in years, I thought they were extinct.

^This. I was actually pretty upset when they closed down because I used to rent games/movies all the time. So many better resources nowadays though.

In most places they are, considering Netflix and Redbox decimated the game. But there's a few big locations in my area.

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Nothing to take home to your mother, but it did create some intense moments and very well acted with Jude Law and the rest of the ensemble.

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This on the other hand blew my fucking mind. Pacino puts in some of the best he's ever done, and Robin Williams acting serious is some of the best film ever captured. Not to mention the story and direction by a younger Chris Nolan. Can't beat this film.

I still haven't gotten around to Insomnia. I should totally do that. Been in my queue for years.

It's worth it just to watch Robin Williams being creepy as ****.

And to see Pacino losing his marbles both from lack of sleep and fear of getting caught. Really good flick.

The Houses October Built - Found footage flick I stumbled-on on Netflix, the story follows a group of friends making a film on these "haunts" that have grown popular during Halloween, namely the more extreme, even underground ones - word is some of these places aren't on the up-and-up and are using actual body parts and employing unsavory characters such as murderers. I was more than surprised by this film and highly recommend it, especially with Halloween drawing near.

Just bought all four Alien movies for about $20, and tonight I'm gonna smoke a bowl before watching the first one. Don't know if I have enough left for a second, but I'll try to scrounge up enough to get my head right again just before the chestburster scene.

Yup, that's totally me. Except I'm not an intense burnout.

And tell me you've never smoked up for the express purpose of watching something you think would be cool while baked.

We can't all be 9 years old, Bat.

You were a ****ed up 9-year-old.

Just watched Spike Jonze's Her. Outstanding. Joaquin Phoenix was fantastic carrying 90% of the film as the only major actor, much like Sam Rockwell in Moon.

The movie inspired a number of thoughtful questions and a spirited discussion between my fiance and myself.

An instant favorite.

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Good comparison to Moon

Such a pretty movie too. ScarJo had some great voice acting in this.

Nightingale

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Interesting film. David Oyelowo does a great job carrying this film.

i agree 100% about the beauty of the film itself.....and honestly think that Johansson's performance outshine Phoenix's....although really everyone in this film is well played

Just watched all four Alien movies in the last two days...

Edit: I just noticed that the egg on the poster is not at all the eggs from the movies.

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Alien

Admittedly, I was pretty high when I watched this, so that may account for how awesome the movie was. I'd only actually ever seen it once, and that was this year, so this is still a pretty new movie to me.

So many things I noticed that just made it cool as hell.

*spoilers*

Like, there's always some kind of sustained noise, going from the opening credits, to the very end, that just makes the whole movie feel tense ALL THE TIME. Often it's pretty ambient: sometimes it's just music, sometimes it's the quiet hum of the ship's engines, or maybe beeps from electronic equipment.

But other times it's more in the forefront, which really ups the tension: the sound of the motion tracker... I was high, so I forget some things.

All this really primes you to jump when something happens. Each jump scare (like when the facehugger leaps from the egg, or the alien grabs Dallas in the ventilation shaft) is accompanied by a very sudden, very loud noise that honestly startles me far more than the jump scare itself.

In one particular scene, these two ideas (sustained, ambient sound and sudden, loud noises) are combined in the most ****ed up part of the movie. Ya know what I'm talking about, when the alien impales the girl on its tale and then it cuts to Ripley running down a hallway while the victim's screams on the intercom just go on and on and on.

I'm finding that noise is far more terrifying in movies than visuals, and often times even more than my own imagination, and Alien is just brilliant at this.

My only real complaint about the movie (besides some of the dated acting) is that after the chestburster scene, the movie slightly drops in quality. The first half or so is more sci fi than horror, and it's just one of the best sci fi movies I've ever seen. From the human and alien ship designs, to the egg chamber, to the scientific way the crew investigates the facehugger once it's on that guy's face, everything is just so imaginative and engrossing.

But once the story becomes about the alien trying to kill everybody, it basically just turns into a very high quality creature feature. Also, the tension of the movie loses a little steam once the **** hits the fan, since the thing that we were waiting the whole movie to happen is finally happening. Still a great last half, but just not as much as the first.

One thing I do appreciate about the latter half of the movie though, is that most horror movies that don't suck rarely show the monster. In this movie however, while the alien's appearances are relatively few and deliberate, it isn't half-shown when the time comes. You get to see it in all its glory. Generally, most of those movies that don't show the monster do so because the audience's imaginations are far more terrifying than actually showing the monster, whereas in Alien the monster has been designed by someone whose imagination can conjure images far more disturbing than anything we could ever hope to come up with.

So **** subtlety I guess.

Another thing that I love about Alien is just how helpless the crew is at all times. They're woken up by a machine, have to go down to the planet's surface due to company policy, and obviously can do **** all against an alien murder machine. Ripley is even largely helpless during the end sequence: at any time the alien could have killed her, but it just decided it wanted to play with its prey, miraculously giving Ripley the time to actually do something about it.

And one of the few times the crew is trying to make an actual decision -- when Ripley and Dallas are arguing about letting the infected crewman on board -- the decision is made for them by a robot following company orders.

One last thing I'll mention before going (I'd say stuff about the other three movies, but I'm ****ing lazy and this post is long enough.) This is some quality nightmare fuel as far as I'm concerned: it's well observed that the alien toys with its victims, taking pleasure in killing; it could be seen as cheap that a creature like the alien would have any motivation other than instinct, but when you think about how organisms are motivated to do certain things by instinctual stimuli, it's usually by making the action pleasurable (eating, sex, etc).

So, it can be argued that in order to make the alien so hyper-aggressive, whatever passes for its biology has basically turned it into a sexual sadist, hungry for murder. I hear Ridley Scott has said that the aliens are a metaphor for rape (I shouldn't have explain why), which makes that tail impalement scene almost literally a rape scene -- especially when you consider just where that tail may very well have entered her body.

Definitely the best movie in the franchise.

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Trainspotting (1997)

Kinda thing turning you up&down, kinda gatecrasher if you want. Another type of dystopia based not on the existing of the whole society but on the several miserable lives of miserable people, you know. The most terrifying thing is that some moment you beging to identify yourself with them, you really don't understand what evil there is in what they do.
Sure it's more than noted yet I've to say I was completely impressed by that thing.
"Choose Life. Choose a job. Choose a career. Choose a family. Choose a ### big television, choose washing machines, cars, compact disc players and electrical tin openers..."
Highly recommend to see it!

^ one of my favorite movies.

Did anyone see The Visit?
M. Night Shamalamadingdong is mostly a punchline now, but some say this movie is fun.
I'm still hesitating to check it out, because the protagonists are apparently kids, which is usually very annoying.

Did ya know that Ridley Scott purposely didn't tell the actors about the gush of blood that was coming during that scene? The reaction from the actors (most notably Veronica Cartwright) was entirely spontaneous and real.


Caught both One Flew Over the Cuckoos Nest and Dog Day Afternoon last night on AMC. Both from 1975 and both 100% uncensored. F-bombs were dropping left and right. The level of acting in both movies was simply ridiculous from everyone involved. Hate to use a cliche but they just don't make them like that anymore.

Yes. Because you've pointed it out before.

Redundancy, i.e.; old age

It sucked dick.

Thanks for the heads up.

Salt Lake City Punk. There's a sequel coming out soon too. The movie was extremely good. Some of the camera shots were weird, but I can understand that because it's an indie film. From the late 90's nonetheless. I have no idea how any indie film editors worked with tapes, Bam made it look easy in cKy.

Danny Boyle on ?Trainspotting? Sequel Shoot Set for Next Summer - Hollywood Reporter
And in case you missed it, there's a sequel coming!

So the cast, now in their 40 and 50's, are gonna be shooting heroin still? This should've happened a few years after Trainspotting. But... Danny Boyle.

Nah, they're going to be shooting a porno and occasionally smoking crack.

Crazy to think that that chick is the wife from No Country for Old Men.

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That actually sorta sounds like it would go over well as a sequel.

Well that was the premise of the book's 2002 sequel, aptly titled Porno. The reason it took so long to go into production was because Ewan McGregor and Danny Boyle got into a pissing match when McGregor was replaced with Leonardo DiCaprio in the 2000 movie The Beach. I'm sure there were other reasons, but Porno is only set about 8-10 years after the events of Trainspotting.

that all seems to me as anotner attempt to create their own fenix bird. never experienced sth great to come out of such attempt. but...stil, we'll see. and thank you for the notice.

The Iron Giant. I've seen it a dozen times, but it was cool to see it in the movies theaters. It was a special one-off showing of the Signature Edition which is remastered and extended version of the original.

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Just watched The Elephant Man. Going to need a few years to recover.

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The Weather Man

Some middle of the road acting from Cage, which is a step up from most of his stuff. I liked how it used product placement as a plot device, but apart from that it wasn't anything to write home about.

Watched the Cape Fear remake.
What a trainwreck. Ridiculous writing, hammy acting and some really weird cuts.
Still relatively entertaining, but not at all in the same league as the original and overall a big disappointment, considering the talent involved.